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Songs from the Second Floor (2000)

Songs from the Second Floor (2000)
Member Rating:  
Songs From the Second Floor, which shared the Special Jury Prize at the 2000 Cannes Film Festival, is an indescribably surrealistic examination of the pointlessness of modern life in a nameless city full of directionless people. Throughout a series of unrelated vignettes, all marked by absurd black humor, the film's characters stand witness to an utterly motionless traffic jam, the pathetic firing of a 30-year employee, a magic trick gone horribly wrong, and the failed business ventures of a crucifix salesman. Dialogue is largely absent from the film, and even where present, it usually only confounds what little expository quality there is in the narrative. The tone of Swedish director Roy Anderssen's highly original and challenging project recalls such bleak visionaries as Samuel Beckett and Luis Buñuel, and though it certainly perplexed audiences, it also left them laughing uncontrollably. ~ Derek Armstrong, Rovi

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Starring:
Lars NordhStefan Larsson, (more)
Director(s):
Roy Andersson
Format(s):
DVD
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Synopsis of Songs from the Second Floor

Songs From the Second Floor, which shared the Special Jury Prize at the 2000 Cannes Film Festival, is an indescribably surrealistic examination of the pointlessness of modern life in a nameless city full of directionless people. Throughout a series of unrelated vignettes, all marked by absurd black humor, the film's characters stand witness to an utterly motionless traffic jam, the pathetic firing of a 30-year employee, a magic trick gone horribly wrong, and the failed business ventures of a crucifix salesman. Dialogue is largely absent from the film, and even where present, it usually only confounds what little expository quality there is in the narrative. The tone of Swedish director Roy Anderssen's highly original and challenging project recalls such bleak visionaries as Samuel Beckett and Luis Buñuel, and though it certainly perplexed audiences, it also left them laughing uncontrollably. ~ Derek Armstrong, Rovi

Theatrical Feature Running Time:
98 mins

Complete Cast of Songs from the Second Floor


Director(s):
Roy Andersson
Writer(s):
Roy Andersson
Categories:
Special Interest
Songs from the Second Floor Awards:
  • 2000 - Cannes Film Festival - Jury Prize
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    Member Reviews
     
    Gordon C.

    A lot to like - the visual tone, the use of mundane situations to convey a bleak and often incomprehensible situation. Some scenes are VERY memorable. However, I found the glacial pace utterly tiresome. This film is not concise. If the point can be made in 2 minutes, then this film insists on taking ten minutes to do it. (For instance, the blindfolded girl in the quarry - adding endless details does NOT make it more powerful - actually lessens the impact since you know what is coming.) Ultimately, as great as some scenes are, they just didn't add up to a compelling whole. The movie ended up being LESS than the sum of it's parts. As with so many of these non-narrative films, it doesn't really end. The frustrating thing about this film is that it has so many good little bits - but without a strong vision it you are slogging through tedium waiting for the next moment of black humor or surrealism. Ebert, what were you thinking?

    Yes   |   No

     
    William L.

    Several disjointed scenes juxtapose the futility of life with the vagueness of death. Slowly the pattern emerges and the viewer stumbles onto this theme. Kalle and his family demonstrate the utter bleakness of life while the secondary characters (magician, volunteer, process server, speech writer, nursing home patient, crucifix salesmen, dead Russian boy, little girl, etc) depict the unsatisfying alternative of death.

    Yes   |   No

     
    Keith G.

    Unique, funny, brave look at the capitalist/socialist bureaucracy slowly destroying Swedish society, told through a series of beautifully photographed absurd and surreal vignettes. (Organized religion takes some lumps as well). The camera never moves, and each scene is a story told in a single wondrously composed and art-directed shot. Some pieces are more powerful than others, some funny, some tragic. But this is bold, adventurous filmmaking. Even the failed moments are more interesting than most modern ˜successes™. It's fascinating to see how much Andersson's style changed since his great first success 'A Swedish Love Story' 30 years earlier. That film was a subtle, naturalistic, wonderful look at young love. Here he creates what one critic aptly labeled 'Monty Python meets Ingmar Bergman'. I'd throw in ex-Monty Python Terry Gilliam's 'Brazil' as well. If that sounds at all interesting to you, check this out, as well as Andersson's follow up 'We, the Living'

    Yes   |   No

     
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