42nd Street (1933)

42nd Street (1933)
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The quintessential "backstage" musical, 42nd Street traces the history of a Broadway musical comedy, from casting call to opening night. Warner Baxter plays famed director Julian Marsh, who despite failing health is determined to stage one last great production, "Pretty Lady." Others involved include "Pretty Lady" star Dorothy Brock (Bebe Daniels); Dorothy's "sugar daddy" (Guy Kibbee), who finances the show; her true love Pat (George Brent); leading man Billy Lawlor (Dick Powell); and starry-eyed chorus girl Peggy Sawyer (Ruby Keeler). It practically goes without saying that Dorothy twists her ankle the night before the premiere, forcing Julian Marsh is to put chorine Peggy into the lead: "You're going out there a youngster, but you've got to come back a star!" Delightfully corny, with hilarious wisecracking support from the likes of Ginger Rogers, Una Merkel, and George E. Stone, 42nd Street is perhaps the most famous of Warners' early-1930s Busby Berkeley musicals. Based on the novel by Bradford Ropes (which was a lot steamier than the movie censors would allow), 42nd Street is highlighted by such grandiose musical setpieces as "Shuffle Off to Buffalo," "Young and Healthy," and of course the title song. Nearly fifty years after its premiere, it was successfully revived as a Broadway musical with Tammy Grimes and Jerry Orbach. ~ Hal Erickson, Rovi

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Starring:
Warner BaxterBebe Daniels, (more)
Director(s):
Lloyd Bacon
Theatrical MPAA Rating:
NR
Format(s):
DVD  | Digital SD
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Synopsis of 42nd Street

The quintessential "backstage" musical, 42nd Street traces the history of a Broadway musical comedy, from casting call to opening night. Warner Baxter plays famed director Julian Marsh, who despite failing health is determined to stage one last great production, "Pretty Lady." Others involved include "Pretty Lady" star Dorothy Brock (Bebe Daniels); Dorothy's "sugar daddy" (Guy Kibbee), who finances the show; her true love Pat (George Brent); leading man Billy Lawlor (Dick Powell); and starry-eyed chorus girl Peggy Sawyer (Ruby Keeler). It practically goes without saying that Dorothy twists her ankle the night before the premiere, forcing Julian Marsh is to put chorine Peggy into the lead: "You're going out there a youngster, but you've got to come back a star!" Delightfully corny, with hilarious wisecracking support from the likes of Ginger Rogers, Una Merkel, and George E. Stone, 42nd Street is perhaps the most famous of Warners' early-1930s Busby Berkeley musicals. Based on the novel by Bradford Ropes (which was a lot steamier than the movie censors would allow), 42nd Street is highlighted by such grandiose musical setpieces as "Shuffle Off to Buffalo," "Young and Healthy," and of course the title song. Nearly fifty years after its premiere, it was successfully revived as a Broadway musical with Tammy Grimes and Jerry Orbach. ~ Hal Erickson, Rovi

Theatrical Feature Running Time:
89 mins

Complete Cast of 42nd Street


Director(s):
Lloyd Bacon
Writer(s):
Whitney BoltonJames SeymourRian James
Producer(s):
Hal B. WallisDarryl F. Zanuck
Theatrical MPAA Rating:
NR(Suitable for Children)
Categories:
Music & Performing Arts
42nd Street Awards:
  • 1933 - Film Daily - 10 Best Films
  • 1998 - Library of Congress - U.S. National Film Registry
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    Member Reviews
     
    Megan E.

    One of the greatest Hollywood musicals, mostly due to Busby Berkeley. The amazing choreography of his musical numbers is astonishing, even by today's standards. Very fine performances by Rogers and others. Keeler dances alright but thankfully her bad acting doesn't detract much from the film. Definitely worth watching!

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    Stephen S.

    The Busby Berkeley dance sequences are really the only reason to watch this film - and they are fresh and inventive even to modern eyes.

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    Keith G.

    This has a lot of fun moments, including 15 minutes worth of terrific, over-the-top Busby Berkeley dance numbers, some snappy, sexy pre-code dialogue, and impressive early use of crane shots. Yes, it is mostly awkwardly acted. And the whole thing is a string of cliches from start to finish. But, this film helped create those cliches, and is pretty darn enjoyable in a corny, silly way. Many critics consider it a classic, and it is indeed important in Hollywood history. I am not sure I would call it a great film but I did smile a lot, especially on 2nd viewing.

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