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The Taste of Cherry (1997)

The Taste of Cherry (1997)
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Co-winner of the Palme d'Or at the 1997 Cannes Film Festival, The Taste of Cherry is the venerable Iranian director Abbas Kiarostami's examination of life, death and the small miracles in between. Homayoun Ershadi stars as Mr. Badii, a middle-aged man wishing to kill himself; driving his Range Rover across the arid outskirts of Tehran, he searches for someone to aid him in his final hours, someone who will agree to bury his body if he succeeds in his mission -- a planned overdose of sleeping pills -- or rescue him if he fails. Offering a large sum of money in exchange for services rendered, he first picks up a Kurdish soldier who ultimately flees in fear upon learning of Badii's plan; the next passenger, an Afghani seminary student, instead attempts to convince him of the sanctity of human life. Finally, Badii picks up a Turkish taxidermist who reluctantly agrees to check the body for signs of life; having long ago contemplated suicide himself, the taxidermist also tries to dissuade Badii from ending it all, accepting the offer only because he needs the money to care for his sick daughter. Kiarostami's refusal to answer the film's two most obvious questions -- exactly why does Mr. Badii wish to end his life, and does he successfully carry out his plan? -- invites viewers to share in his protagonist's plight by triggering their own powers of imagination. ~ Jason Ankeny, Rovi

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Starring:
Homayoun Ershadi
Director(s):
Abbas Kiarostami
Theatrical MPAA Rating:
NR
Format(s):
DVD
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Synopsis of The Taste of Cherry

Co-winner of the Palme d'Or at the 1997 Cannes Film Festival, The Taste of Cherry is the venerable Iranian director Abbas Kiarostami's examination of life, death and the small miracles in between. Homayoun Ershadi stars as Mr. Badii, a middle-aged man wishing to kill himself; driving his Range Rover across the arid outskirts of Tehran, he searches for someone to aid him in his final hours, someone who will agree to bury his body if he succeeds in his mission -- a planned overdose of sleeping pills -- or rescue him if he fails. Offering a large sum of money in exchange for services rendered, he first picks up a Kurdish soldier who ultimately flees in fear upon learning of Badii's plan; the next passenger, an Afghani seminary student, instead attempts to convince him of the sanctity of human life. Finally, Badii picks up a Turkish taxidermist who reluctantly agrees to check the body for signs of life; having long ago contemplated suicide himself, the taxidermist also tries to dissuade Badii from ending it all, accepting the offer only because he needs the money to care for his sick daughter. Kiarostami's refusal to answer the film's two most obvious questions -- exactly why does Mr. Badii wish to end his life, and does he successfully carry out his plan? -- invites viewers to share in his protagonist's plight by triggering their own powers of imagination. ~ Jason Ankeny, Rovi

Theatrical Feature Running Time:
95 mins

Complete Cast of The Taste of Cherry


Director(s):
Abbas Kiarostami
Writer(s):
Abbas Kiarostami
Producer(s):
Abbas Kiarostami
Theatrical MPAA Rating:
NR(Adult Situations)
The Taste of Cherry Awards:
  • 1997 - Cannes Film Festival - Palme d'Or
  • 1998 - National Society of Film Critics - Best Foreign Film
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    Member Reviews
     
    Matt R.

    I came to the reviews to see what the ending was all about. The shift to the interview at the end was confusing, but made sense after listening and reading William's review. I agree that the dirt was symbolic. The movie even refers to this when Badii is talking with the security guard. If you don't like the ending that's fine, but I think the film had to end that way. Movies tell you exactly what to think. Films show you input to interpret. This is a film for those who appreciate them. Don't watch it if you don't like to think.

    Yes   |   No

     
    Desiree V.

    This is a beautiful and artistic film, although I think most people would be put off by it. I'm surprised it was made into a 95 minute film because the plot is non-existent. It's very slow, but at least it's something different to watch. It's a film that makes you think about it long after you watch it.

    Yes   |   No

     
    William L.

    For some not all too clear reason Badii desires not so much to be dead, but to be buried in dirt. The main character in this film is not Badii, it is the dirt. Instead of the lush scenery found in other Farsi films Kiarostami magnificently uses dirt. Vast fields, cliffs, hills, piles, miles and miles of dirt. Badii looks at it, drives on it, sits in it, lays in it, watches it tumble, rumble, and cascade. The art here is the cinematographic use of, well, dirt; there is not a single dab of green. The acting by the human characters is wonderful, especially the Kurd. He marvelously depicts trepidation in dealing with Badii's insane request. The ending, by the way, is a clever avoidance of Islamic condemnation. Kiarostami could not leave the film at the fade-to-black or he would have portrayed Islamic sin and risked fatwa.

    Yes   |   No

     
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