Movies Similar to The Pawnbroker (1964)

The Pawnbroker (1964)
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Critically acclaimed Rod Steiger plays Sol Nazerman, a Jewish pawnbroker who survived imprisonment in a Nazi concentration camp, even though his wife and family did not. The devastating experience and unrelenting memories inhibit Sol from emotional involvement with life. He has no faith in religion and less in mankind. Though he carries on an affair with a woman who was also a victim of the Nazi camps, it is without emotion and Sol grows increasingly bitter and callous, withdrawing still further from the world around him. As his small shop in Harlem is run with little care or attention, it becomes a convenient cover for a local racketeer. Finally, a caring social worker tries to appeal to his humanity, but Sol's emotional wounds may prove to be too great to overcome. Based on a book by Edward Lewis Wallant, The Pawnbroker features the skilled camera work of Boris Kaufman, who had previously worked with director Sidney Lumet on films such as 12 Angry Men (1957) and Long Day's Journey Into Night (1962). The score is composed by Quincy Jones, who would contribute to Lumet's 1978 musical, The Wiz. ~ Kristie Hassen, Rovi

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Starring:
Rod SteigerGeraldine Fitzgerald, (more)
Director(s):
Sidney Lumet
Format(s):
DVD
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    Jonathan A.

    Rod Steiger was nominated for an Academy Award for his portrayal of Sol Nazerman, a holocaust survivor and rightly so. Nazerman is a man cut off from his feelings because if he were to feel them he would go mad with the pain of what he has endured. I cannot imagine how his performance could have been any better. In his pain, Sol distances himself from other people, a self destructive behavior. Great performance also from Geraldine Fitzgerald. Too bed Lee Marvin won for Cat Ballou. Lumet vision of Manhatten is for too grimey and worn out for my taste.

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    John O.

    This may be Lumet's masterpiece. The editing, sound design, subject matter and, of course, the performances are all top rate and it is impossible to believe Steiger and the film were robbed at the academy awards. I would put this film up against any other from the decade. It unabashedly explores the haunted souls of Holocaust survivors and sets it within a very realistic and ethinically diverse New York City. Would we be peppered with constant worshipping of this film had it been made five or six years *later* by John Cassavettes? I would argue yes. This is a film, remember, that was shot before the Civil Rights act went through and shows a black prostitute as a completely sympathatic character, not to mention in a topless scene, to boot. Thank God the backward powers-that-were in society of the time did not ban this film, in fact this was first US film to show a nude woman be granted a Production Code Seal.

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    Neil W.

    Not quite the masterpiece that it had the potential to be. Suffers greatly from the era in which it was made - especially in the inexcusable, inappropriate soundtrack by Quincy Jones. I question whether or not Jones even saw the film, and instead just provided some corny jazz to Lumet. A few instances of melodrama and over acting which were typical for the era. Although a very good film, it doesn't rank among the best which deal with the Holocaust and it's effects.

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