Movies Similar to The Magic Flute (1975)

	Lourdes D.

3 out of  4  people found this review helpful

Leave it to Ingmar Bergman to focus the first 10 mins or so (which seemed like an eternity) filming the audience for their reacton to what the Magic Flute performance they were watching on stage. While the lead performers were pleasant enough to listen to and the Mozart libretto pleasing to the ear even in Swedish, the stage design and scenery was third rate -- seemingly right out of a high school play. The youngsters who played the three spirits while cute seemed conflicted on which emotion to project while guiding the lead performers thru the trials & tribulations brought to bear by the evil sorcerer who kidnapped the princess. Luckily, the ending makes this long tale all worth while.

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	Keith G.

0 out of  0  people found this review helpful

I found Bergman’s film of Mozart’s opera neither the masterpiece of some critics, nor the failure of others. A perfectly enjoyable attempt to bring opera to the masses, made for TV. A lot of fun; in the story, the singing, the costumes, the images. But some failed ideas as well. Bergman sets the opera in a theater, while opening it up with camera angles, and sets that would never work in a real theater. But the constant cuts to audience reactions (especially those of his own daughter) becomes increasingly distracting, and there are times where some of the theatrical artifice, seen up close, seems clunky, not magical. You never can believe in the story, but you also don’t get the grandeur and magic of a great stage production. You DO get an intimacy with the characters and their feelings, which is good where those are interesting, not so good in those moments where the story itself (as opposed to Mozart’s sublime music) is a bit silly, contradictory and shallow.

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	Jim H.

0 out of  0  people found this review helpful

Filmed in the Stockholm opera house as a stage version with stage sets, audience, etc.; not as a cinematic treatment. Best part is Pagageno getting ready to go on stage. Starts slow as Bergman sets the atmosphere by focusing on the audience. Singers sound great. Bergman has fun with it and makes it human-sized. I'm buying my own copy.

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