Documentary film pioneer Robert Flaherty's last feature is his most beautifully photographed work, but it also proved to be his most controversial as well. Sponsored by Standard Oil, the film can be seen as a paean to the minimal effect an oil company can have on the wilderness it seeks to exploit. Flaherty also picked a cast of amateur players to act out a simple story of a young Cajun boy (Joseph Boudreaux) and his parents living in Louisiana's magnificent bayou country almost side-by-side with a huge oil derrick, so the film's status as a nonfiction film has been challenged. The boy is at first disturbed by the clanging machinery, but the workers at the derrick soon show him the benefits of their labors and promise to leave the land unscathed when they've finished drilling. Aside from the arguable message the film's sponsor promotes, Flaherty's film is a continuation of his lifelong exploration of man's relationship to his natural environment, in such films as Nanook of the North and Man of Aran. ~ Tom Wiener, Rovi
I don't think I've seen a movie quite like this before. It's part documentary, part Mutual of Omaha's Wild Kingdom, and part home movie. If you like Lousiana, oil rigs, or old home movies with a higher budget, you'll like this.
I did fall asleep for some of the second half. It is VERY SLOW. But I liked it for what it was. A snapshot in time (1948) of Louisiana bayou country's natural beauty and how life was like back then. So different than today. I am grateful this film exists now, and is available for rent, especially after the BP deep water oil rig explosion. IRONIC.
I was surprise that my 12 year old enjoyed the movie so much. It is quiet and slow, little dialogue but beautiful and quaint. Having lived in Louisiana, I may have appreciated it more than someone not familiar with the bayou and Cajuns. My parents really enjoyed it also.