Whirlpool (1949) Reviews

Whirlpool (1949)
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In this compelling and unusual psychological melodrama Ann Sutton (Gene Tierney), a woman tormented by her secret kleptomania seeks help from a unscrupulous hypnotist David Korvo (Jose Ferrer). Although she is married to a successful psychiatrist (Richard Conte), and has no need to steal the items which she could easily purchase, she finds herself powerless to control her urge. She is finally caught when she attempts to steal a brooch from a department store but she is saved by Korvo who persuades the store not to prosecute. Grateful and desperate for help, Ann allows Korvo to treat her. Korvo, taking advantage of Ann's vulnerability, hypnotizes her and sends her to the home of a former mistress whom he has stolen money from and subsequently murdered when she threatened to turn him in to the police. Ann is charged with the murder. Convinced of his wife's innocence, Richard must crack Korvo's seeming airtight alibi. Richard tricks Korvo into returning to the scene of the crime to find some evidence in the exciting conclusion. This unusual tale of murder and mental illness was written by a blacklisted Ben Hecht under the pseudonym "Lester Barstow" and bears a striking resemblance to another Hecht thriller, Alfred Hitchcock's Spellbound. ~ Linda Rasmussen, Rovi

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Starring:
Gene TierneyRichard Conte, (more)
Director(s):
Otto Preminger
Format(s):
DVD
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Average Ratings

(4 member reviews)  


Member Reviews


James V.

Camp of an unusual order is provided by WHIRLPOOL, the Otto Preminger-directed (screenplay co-written by Ben Hecht!), not-quite-noir, semi-thriller that makes the most of the fashionable ideas (circa 1949) about hypnotism and psychotherapy. Gene Tierney always looked great but rarely delivered when any heavy-duty acting skills were called upon (they are here, and she doesn't). The trouble with her playing a hypnosis victim is that, no matter what the role, she ALWAYS seemed spacey. Jose Ferrer provides fun and class as the heavy, and the cinematography is aces. But if you’re not doubled up and howling with glee during the self-hypnosis scene (and elsewhere), I shall be very surprised. Give this one two stars as a movie but maybe three if time-capsule camp is your scene.

Yes   |   No


Jose P.

A bit dated, rather predictable, but fun to watch at least for Ms .Tierney so gorgeous in every scene. Mystery surrounded by kitchen sink psychology, but fun to sit bach/relax.

Yes   |   No


Dennis T.

I'd give it three stars simply because Otto Preminger and crew apparently duped the public of the time into believing that hypnotism was the new cure-all for psychological distress, no matter the source. And self-hypnotism was better yet, enabling a patient to hop out of his post-surgical bed, travel undetected to another destination, and commit a murder. Yeah-right. But, hey, Gene Tierney was great eye-candy and the movie was mildly interesting. Also, I can see now why JFK may have had a fling with her - there is some resemblence to Jackie O.

Yes   |   No


Kerrin C.

True it is not a film noir in the truest sense, but it is a fine crime drama of its day. In consideration for the time period in which this story was made, the storyline was fresh and novel for its time. Committing a crime with the unwitting aid of mentally fragile person through the use of psychology and hypnotic manipulation was a daring plot when the movie was made and the portrayal of blood in the film was quite shocking since Hollywood was not allowed to show blood in films for a long time. There was a lot of fine acting, especially by Jose Ferrar as the evil murderous hypnotist. Gene Tierney did a great job of portraying a vulnerable woman easily swayed by suggestion. It was a good story with excellent acting, much to be preferred than a police procedurally correct film with a poor story and bad acting which is all too common on the modern screen.

Yes   |   No


 
 
 

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    James V.

    Camp of an unusual order is provided by WHIRLPOOL, the Otto Preminger-directed (screenplay co-written by Ben Hecht!), not-quite-noir, semi-thriller that makes the most of the fashionable ideas (circa 1949) about hypnotism and psychotherapy. Gene Tierney always looked great but rarely delivered when any heavy-duty acting skills were called upon (they are here, and she doesn't). The trouble with her playing a hypnosis victim is that, no matter what the role, she ALWAYS seemed spacey. Jose Ferrer provides fun and class as the heavy, and the cinematography is aces. But if you’re not doubled up and howling with glee during the self-hypnosis scene (and elsewhere), I shall be very surprised. Give this one two stars as a movie but maybe three if time-capsule camp is your scene.

    Yes   |   No

     
    Jose P.

    A bit dated, rather predictable, but fun to watch at least for Ms .Tierney so gorgeous in every scene. Mystery surrounded by kitchen sink psychology, but fun to sit bach/relax.

    Yes   |   No

     
    Dennis T.

    I'd give it three stars simply because Otto Preminger and crew apparently duped the public of the time into believing that hypnotism was the new cure-all for psychological distress, no matter the source. And self-hypnotism was better yet, enabling a patient to hop out of his post-surgical bed, travel undetected to another destination, and commit a murder. Yeah-right. But, hey, Gene Tierney was great eye-candy and the movie was mildly interesting. Also, I can see now why JFK may have had a fling with her - there is some resemblence to Jackie O.

    Yes   |   No

     
    Read All 4 Reviews