Cries and Whispers (1972) Reviews

Cries and Whispers (1972)
Member Rating:  
Cries and Whispers stars Liv Ullman and Ingrid Thulin as the sisters of dying cancer patient Harriet Andersson. Both sisters have already had brushes with death: Ullman has had an affair which prompted her husband's suicide, while Thulin has long wanted to do away with herself, at one point mutilating her own vagina out of self-hatred. As for Andersson, she has been in pain so long that she feels as though she's in the midst of death-in-life. With her two sisters wrapped up in their own problems, Harriet turns to her housekeeper Kari Sylwan for comfort; Sylwan has herself suffered the death of a child, and has developed a philosophical attitude towards impending doom. One of the most influential moments of the film -- when two of the sisters share the innermost thoughts that they'd kept from one another for so many years -- is filmed without benefit of dialogue, with the music of Chopin (enhanced by cinematographer Sven Nykvist's carefully selected camera angles) "speaking" for the ladies. While Cries and Whispers only won the Oscar for cinematography, the film did very well for itself in international awards contests. ~ Hal Erickson, Rovi

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Starring:
Harriet AnderssonKari Sylwan, (more)
Director(s):
Ingmar Bergman
Theatrical MPAA Rating:
R
Format(s):
DVD
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Average Ratings

(10 member reviews)  


Member Reviews


Philip P.

I couldn't get this film out of my mind for days. If you like car chases, plot twists and characters who remind you of the folks next door, give it a miss. If you want an intense and focused study of the twists and contortions of human nature, this one is hard to beat. The acting is superb.

Yes   |   No


James F.

This movie is probably too long and dull for 99 percent of America. And I don't mean that 99 percent of America is stupid with no attention span. But this movie really requires effort to watch. If you can, watch this alone late at night. If you're in the 99 percent you'll fall asleep. If you're in the one percent, you will be drawn into complex web of human emotions that climaxes in a horrifying scene that will scare the bejeezus out of you. This is a film about women shown to us through Ingmar Bergman's own understanding of them. Women play the roles of the loving caregiver/nurse, the cold and reserved matriarch, and the whimsical but cruel mistress. This movie will stay in your head, not just for days, but for years. It is really a work of art.

Yes   |   No


Keith G.

Among Bergman's very best, fully marrying mind, heart and soul. Intensely beautiful, with red, the color of blood, death, passion, everywhere, and with performances that are astounding. This film also helped me realize that Bergman is a director experienced as much in the aftershocks and absorption of seeing his films as in the moment of watching them. Tears came to me an hour after watching the film, not while I was seeing it. It’s not the way I’m used to film working, but I’ve found I've had that experience too many times with Bergman for it to be mere coincidence. The exploration of the slow painful death of a 19th century woman on her two sisters and long time maid (and lover?) is the subject, but it is experienced more like a poem than like a story. And the moments of horrific reality (I’ve never seen on screen sickness and death so real) and poetic grace and surreal dream images dance together with nary a hitch.

Yes   |   No


Cary B.

A slow, somber and ponderous drama rife with symbolism but no coherent plot. Can't really recommend it.

Yes   |   No


Darlene A C.

and it went on and on and on.... until I wanted to die

Yes   |   No


Alicia C.

I feel as if the movie is too alien to the American cultule to cross over. It has lesbian issues (I say issues because it's more blatent than an over tone) but I don't know if that is what the movie is about. If you get/enjoy german-like movies it's for you, I myself will stick to the Japanese genre since I seem to understand that culture.

Yes   |   No


Raymond O.

The film is arty and beautiful, but also painfully boring. Coming from a Tarkovsky fan, that's saying something. Everything about this movie is exceptionally dull. It's the story of women who seem emotionally disconnected from everything, the viewer included. Even the scene in which a woman mutilates her vagina with a shard of glass fails to generate any enthusiasm. Of course, her husband's reaction doesn't help; not an ounce of shock or worry in it; he seems to think of it as a very minor inconvenience. Not one of these women has an interresting story. And it's all so slow and tedious. One woman describes her situation as "a tissue of lies." No, honey; it's a tissue of boring.

Yes   |   No


Thom M.

This is an artsy movie that I am glad I watched once-- but you could not pay me to view it again. There is a lot of symbolism, but I found that since I was not very interested in the plot or the characters I could not invest much thought into what the symbolism meant. Bottom-line: although this movie is unique, it is too slow, odd, and depressing for most viewers.

Yes   |   No


Albert S.

This movie failed its main characters by not giving any of them motivations for their actions. There has got to be a reason for the drastic things they did. It also failed by not telling a story for any of them which had a beginning, middle and end. I was especially frustrated by the scene where the dead sister came back to life-- what did that mean? I like many foreign films which come highly rated, but this one disappointed.

Yes   |   No


Sally M.

The only thing I found "superb" about this movie was that it was over!!!You won't miss a thing by not watching this one,unfortunately I can't get back the time I WASTED.

Yes   |   No


 
 
 

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    Member Reviews
     
    Philip P.

    I couldn't get this film out of my mind for days. If you like car chases, plot twists and characters who remind you of the folks next door, give it a miss. If you want an intense and focused study of the twists and contortions of human nature, this one is hard to beat. The acting is superb.

    Yes   |   No

     
    James F.

    This movie is probably too long and dull for 99 percent of America. And I don't mean that 99 percent of America is stupid with no attention span. But this movie really requires effort to watch. If you can, watch this alone late at night. If you're in the 99 percent you'll fall asleep. If you're in the one percent, you will be drawn into complex web of human emotions that climaxes in a horrifying scene that will scare the bejeezus out of you. This is a film about women shown to us through Ingmar Bergman's own understanding of them. Women play the roles of the loving caregiver/nurse, the cold and reserved matriarch, and the whimsical but cruel mistress. This movie will stay in your head, not just for days, but for years. It is really a work of art.

    Yes   |   No

     
    Keith G.

    Among Bergman's very best, fully marrying mind, heart and soul. Intensely beautiful, with red, the color of blood, death, passion, everywhere, and with performances that are astounding. This film also helped me realize that Bergman is a director experienced as much in the aftershocks and absorption of seeing his films as in the moment of watching them. Tears came to me an hour after watching the film, not while I was seeing it. It’s not the way I’m used to film working, but I’ve found I've had that experience too many times with Bergman for it to be mere coincidence. The exploration of the slow painful death of a 19th century woman on her two sisters and long time maid (and lover?) is the subject, but it is experienced more like a poem than like a story. And the moments of horrific reality (I’ve never seen on screen sickness and death so real) and poetic grace and surreal dream images dance together with nary a hitch.

    Yes   |   No

     
    Read All 10 Reviews