Though this interesting film was among many responsible for the critical success of French autuer Robert Bresson, it was by no means a commercial success. Slightly different than his other films, director Bresson utilized the contrasty photography of Philippe Agostini (Sylvie et le Fantome, Monde du Silence) and chose professional actors Paul Bernard (Lumiere D'ete), Maria Casares (Enfants du Paradis), and Elina Labourdette (Shanghai Drama) to star rather than non-professionals. With dialogue written by writer/filmmaker Jean Cocteau, Les Dames du Bois du Boulogne was adapted to the screen by Bresson from an interpolated anecdote in Diderot's Jacques Le Fatalist. Casares plays Helene, a passionate but self-controlled woman who is seething after her lover Jean (Bernard) confesses he no longer loves her. Driven by revenge, Helene engineers a plan to attack Jean via Agnes (Labourdette), the woman he truly loves, and Anges' mother (Lucienne Bogaert). ~ Kristie Hassen, Rovi
Carol C. When watching old films like this, one has to judge them on their own terms. By today's standards it would be considered slow and sort of melodramatic. And good grief, it has the ugliest costumes ever. Truly laughably hideous. I had to remind myself that it was filmed in Nazi occupied France and probably they had limited resources. But I can see that it deals with some elemental themes and is touching in its conclusion.
Carol C. When watching old films like this, one has to judge them on their own terms. By today's standards it would be considered slow and sort of melodramatic. And good grief, it has the ugliest costumes ever. Truly laughably hideous. I had to remind myself that it was filmed in Nazi occupied France and probably they had limited resources. But I can see that it deals with some elemental themes and is touching in its conclusion.