Compulsion (1959) Reviews

Compulsion (1959)
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Compulsion is a compelling, stylish thriller, loosely based on the famous 1924 murder trial of thrill-killers Loeb and Leopold, two homosexual students who murdered a young boy to demonstrate their intellectual superiority. Artie Straus (Bradford Dillman) is a sadistic, mother-dominated bully. Judd Steiner (Dean Stockwell) is a submissive, introverted sissy. Having been raised by wealthy, arrogant families, both Artie and Judd consider themselves above conventional morality. Unfeeling and conceited, the boys, after the killing, take delight in offering to aid in finding the culprits. It is this arrogance which leads to their capture and prosecution for the murders. Jonathan Wilk (Orson Welles), playing a Clarence Darrow-like criminal defense attorney, takes on the case, and puts on a defense, without the cooperation of his clients, who will offer no explanation for what they have done. Bradford Dillman gives an outstanding performance, as does Dean Stockwell as the utterly unsympathetic murderers. Orson Welles is flamboyantly imposing as Wilk, who must use all his wits to try to save the boys from execution. Compulsion is a suspenseful courtroom drama, even though most viewers will know the outcome. Tautly directed by Richard Fleischer, the film is an outstanding, believable courtroom drama. ~ Linda Rasmussen, Rovi

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Starring:
Orson WellesDean Stockwell, (more)
Director(s):
Richard Fleischer
Format(s):
DVD  | Digital SD
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Average Ratings

(8 member reviews)  


Member Reviews


Patricia M.

The movie was interesting, but the courtroom scene with Orson Welles speaking was too long. Also, you might be disappointed because the director doesn't show the dead body in the morgue, nor does he film the murder. Remember this movie was filmed in 1959, but if you are familiar with the case of Leopold and Loeb, this is a must to see.

Yes   |   No


Ty S.

Good movie that is both thought provoking and enjoyable. Although the later half of the movie takes place in court, I hesitate to catagorize this a "courtroom" drama. At no point in the movie is their any question of guilt or innocence, or even a possible motive. Instead of wondering what the fate of the two main character will be, the viewer finds himself questiong what their fate should be. Solid performances all around, especially from Dean Stockwell, E.G. Marshall, and Orson Wells.

Yes   |   No


Anton J.

I think the chemistry that happens in murder cases that draw so much public attention (Bonnie & Clyde, Fred & Rosemary West, Leopold & Loeb etc etc.) is what I want to see when I watch these movies. This movie missed the mark on so many levels. An excellent character study on this chemistry is the movie Heavely Creatures.

Yes   |   No


Henrietta M.

The movie was suspenseful. However, you must watch it closely because the murder is never shown and information about what happened during the murder is slowly revealed throughout the movie.

Yes   |   No


Bob D.

For its time it was quite shocking. Because it was a 1959 movie, one must read between the lines, they would never show xxx and violence. When Judd tells Artie that he would do anything for him, it was obvious the two of them had a relationship.

Yes   |   No


Georgianna M.

An outstanding treatment of a very sensitive subject. One of director Richard Fleischer's best films. The story has a satisfying ending: could you have decided this case better? Bradford Dillman and Dean Stockwell are nicely contrasted as the pair of disturbed young men, one obnoxiously aggressive, the other passive. With the discretion shown by filmmakers at the time, the homosexual element is downplayed so much that modern-day viewers may not be aware of it (and that's to the good). This was possibly Orson Welles' greatest performance as the defense attorney: when he's speaking softly, his intensity and presence fill the screen.

Yes   |   No


Marlene A.

I read the book "For the Thrill of it" and it was EXCELLENT...my dad told me about this movie and warned me..it's a 50's black and white, no blood and guts and nothing for shock value..but it was pretty much fact based. I just wish it would've at least touched on the actual murder and did some sort of scene and was better at showing the chemistry between the two..I HIGHLY recommend the book I read...VERY detailed and gives you insight into these two.

Yes   |   No


Susan E.

Good for a laugh at the way things used to be. Too hokey. We didn't finish watching it.

Yes   |   No


 
 
 

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    Member Reviews
     
    Patricia M.

    The movie was interesting, but the courtroom scene with Orson Welles speaking was too long. Also, you might be disappointed because the director doesn't show the dead body in the morgue, nor does he film the murder. Remember this movie was filmed in 1959, but if you are familiar with the case of Leopold and Loeb, this is a must to see.

    Yes   |   No

     
    Ty S.

    Good movie that is both thought provoking and enjoyable. Although the later half of the movie takes place in court, I hesitate to catagorize this a "courtroom" drama. At no point in the movie is their any question of guilt or innocence, or even a possible motive. Instead of wondering what the fate of the two main character will be, the viewer finds himself questiong what their fate should be. Solid performances all around, especially from Dean Stockwell, E.G. Marshall, and Orson Wells.

    Yes   |   No

     
    Anton J.

    I think the chemistry that happens in murder cases that draw so much public attention (Bonnie & Clyde, Fred & Rosemary West, Leopold & Loeb etc etc.) is what I want to see when I watch these movies. This movie missed the mark on so many levels. An excellent character study on this chemistry is the movie Heavely Creatures.

    Yes   |   No

     
    Read All 8 Reviews