Shame (1968) Reviews

Shame (1968)
Member Rating:  
Shame is grand master Ingmar Bergman's bitter and unsparing condemnation of war - all war, regardless of which side one chooses. The story begins with two ex-musicians, Eva and Jan Rosenberg (Liv Ullmann and Max von Sydow, respectively) peacefully inhabiting a weathered house where they grow fruits and vegetables. The residence is located on a desolate, arid island in some unspecified geographic location. Many items in The Rosenbergs' house, such as the radio, aren't functioning properly, and an explosive conflict transpires in the distance. (To avoid being ideologically pigeonholed, Bergman avoids identifying either side of the struggle or the reasons for the conflict itself). The Rosenbergs remain aloof, detached and geographically removed from the struggle, but little by little, over time, various elements of the war seep into the couples' lives and force their involvement. The tumult first sets in when jet planes roar over the house; then a parachutist gets killed and soldiers turn up at the Rosenberg residence. Finally, Eva and Jan get forcibly interrogated and incarcerated. Following the complete obliteration of the Rosenberg house, Eva has sex with one of the military leaders, Colonel Jacobi (Gunnar Bjornstrand) for unspecified reasons. Although Bergman never explicitly makes it clear if Jan witnesses this, he does deliberately conceal money that he could have easily used to buy Jacobi's freedom from the other side. As the heart-wrenching tale rolls forward, circumstances force The Rosenbergs into a face-to-face confrontation with their own identities and emotions. ~ Tom Wiener, Rovi

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Starring:
Liv UllmannMax von Sydow, (more)
Director(s):
Ingmar Bergman
Theatrical MPAA Rating:
R
Format(s):
DVD
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Average Ratings

(4 member reviews)  


Member Reviews


Keith G.

Dubbed a masterpiece by most critics, I certainly thought was an interesting, brilliantly well made film, but one that did no€™t have a devastating emotional effect. Going in knowing little, part of what I liked about the film be sacrilege to most writers who see the film as completely, unbearably bleak, and using that to make it an effective cry against war. I actually found a good portion of it very blackly funny, in a sort of €˜Dr. Strangelove€™, sort of way. The surreal insanity of the behavior of the soldiers and officials around our normal working class couple seemed so exaggerated, almost Keystone Cops with guns, that it did seem very effectively anti-war, but not in the way seen by those who write of unrelieved depression and misery. That said, it grew ever more real, and by the end felt truly dramatic and haunting. But I wonder if I was misreading the intention... Another l have to re-visit. I just need to put that stamp on all on all films by Bergman.

Yes   |   No


Jay E.

First of all, it is not in English. Secondly, it does not make sense. This fails to entertain so as to do something else which I failed to grasp.

Yes   |   No


Ray W.

This is one of the films in Bergman's "Island Trilogy," but probably the weakest one. Too many unanswered questions as the couple is morally challenged by the civil war that's going on in their midst. And it ain't always pretty.

Yes   |   No


Randy J.

The only thing I liked about this movie was seeing Liv Ullmann's breasts, which were quite attractive. There was a feeling that the director was trying to convey, but it was entirely lost on me. I compare it to 2001, A Space Odyssey which I failed to grasp as well. Unless you are an aspiring film critic, I would recommend passing this one up.

Yes   |   No


 
 
 

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    Keith G.

    Dubbed a masterpiece by most critics, I certainly thought was an interesting, brilliantly well made film, but one that did no€™t have a devastating emotional effect. Going in knowing little, part of what I liked about the film be sacrilege to most writers who see the film as completely, unbearably bleak, and using that to make it an effective cry against war. I actually found a good portion of it very blackly funny, in a sort of €˜Dr. Strangelove€™, sort of way. The surreal insanity of the behavior of the soldiers and officials around our normal working class couple seemed so exaggerated, almost Keystone Cops with guns, that it did seem very effectively anti-war, but not in the way seen by those who write of unrelieved depression and misery. That said, it grew ever more real, and by the end felt truly dramatic and haunting. But I wonder if I was misreading the intention... Another l have to re-visit. I just need to put that stamp on all on all films by Bergman.

    Yes   |   No

     
    Jay E.

    First of all, it is not in English. Secondly, it does not make sense. This fails to entertain so as to do something else which I failed to grasp.

    Yes   |   No

     
    Ray W.

    This is one of the films in Bergman's "Island Trilogy," but probably the weakest one. Too many unanswered questions as the couple is morally challenged by the civil war that's going on in their midst. And it ain't always pretty.

    Yes   |   No

     
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