The Battle of Algiers (1966) Reviews

The Battle of Algiers (1966)
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This highly political film about the Algerian struggle for independence from France took "Best Film" honors at the 1966 Venice Film Festival. The bulk of the film is shot in flashback, presented as the memories of Ali (Brahim Haggiag), a leading member of the Algerian Front de Liberation Nationale (FLN), when finally captured by the French in 1957. Three years earlier, Ali was a petty thief who joined the secretive organization in order to help rid the Casbah of vice associated with the colonial government. The film traces the rebels' struggle and the increasingly extreme measures taken by the French government to quell what soon becomes a nationwide revolt. After the flashback, Ali and the last of the FLN leaders are killed, and the film takes on a more general focus, leading to the declaration of Algerian independence in 1962. Director Gillo Pontecorvo's careful re-creation of a complicated guerrilla struggle presents a rather partisan view of some complex social and political issues, which got the film banned in France for many years. That should not come as a surprise, for La Battaglia di Algeri was subsidized by the Algerian government and -- with the exception of Jean Martin and Tommaso Neri as French officers -- the cast was entirely Algerian as well. At least three versions exist, running 135, 125, and 120 minutes. ~ Robert Firsching, Rovi

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Starring:
Brahim HaggiagYacef Saadi, (more)
Director(s):
Gillo Pontecorvo
Format(s):
DVD  |  Blu-ray
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Average Ratings

(16 member reviews)  


Member Reviews


Nicole L.

I can't say enough about how great this movie is. Every shot is a masterpiece in black and white, and while the filmmakers' sympathies are obviously with the Algerians, it leaves open the moral question about the use of political violence. Races along like a good action movie, provokes thought like the best political movies. Watch this now.

Yes   |   No


Michael L.

If you want to understand Iraq, see this 1960's movie by a great director. Also comes with two additional CD's of which CD 2 provides excellent biographical sketches and insight into the director's -- Gillo Pontecorvo's --- background, motivation and style. The fact Pontecorvo frequently does not use professional actors can be lost if you were not aware of Pontecorvo's approach. Intentionally in black and white. Originally banned in France. English subtitles. Worth the time. Mike Losey

Yes   |   No


Sherri M.

This movie is fantastic! My husband who doesn't normally do well with subtitles was riveted to the screen! This movie thoroughly represents that the struggle against terrorism and the confusing dichotomy of the solutions were evident even in the 1960's. This film though older will really capture your attention. The terrorists use not only men, but women to plant bombs and perform acts of terrorism. Yes this movie is from 1966! It really is interesting to watch both sides of the story. Please rent it you will not be sorry.

Yes   |   No


Ahmed M.

This movie thoroughly represents the struggle with the colonization and settlement and the mistake that the white man continues to commit and considers everything belong to him. Any Action Has an Equal, Opposite, and may be Violent Reaction. This is why originally banned in France, because the violence of the white man exceeds the normal.

Yes   |   No


Ayla E.

True face of the Le Grand French Civilization....

Yes   |   No


Cindy L.

Amazing from start to finish. Great footage of Casbah and use of locals. Relevant as ever.

Yes   |   No


Rohn E.

It's remarkable, isn't it.? --the fact that this viewpoint can be preserved for the general public... how close it is to reality doesn't matter. It's the art of the film that's remarkable.

Yes   |   No


Michael S.

What an eye opener. Well done and I only hope this country never sees anything like that here. Well worth the time.

Yes   |   No


Jimmy J.

I seeeeent it!

Yes   |   No


Kathleen O.

Amazing this film from 1966 echoes the problems of today. Does history always repeat itself? Well people do. This movie is sympathetic to the terrorists. They may have been trapped into becoming violent, But they should have watched Gandhi for more peaceful protests. Definitely a movie to ponder and debate.....

Yes   |   No


 
 
 

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    Member Reviews
     
    Nicole L.

    I can't say enough about how great this movie is. Every shot is a masterpiece in black and white, and while the filmmakers' sympathies are obviously with the Algerians, it leaves open the moral question about the use of political violence. Races along like a good action movie, provokes thought like the best political movies. Watch this now.

    Yes   |   No

     
    Michael L.

    If you want to understand Iraq, see this 1960's movie by a great director. Also comes with two additional CD's of which CD 2 provides excellent biographical sketches and insight into the director's -- Gillo Pontecorvo's --- background, motivation and style. The fact Pontecorvo frequently does not use professional actors can be lost if you were not aware of Pontecorvo's approach. Intentionally in black and white. Originally banned in France. English subtitles. Worth the time. Mike Losey

    Yes   |   No

     
    Sherri M.

    This movie is fantastic! My husband who doesn't normally do well with subtitles was riveted to the screen! This movie thoroughly represents that the struggle against terrorism and the confusing dichotomy of the solutions were evident even in the 1960's. This film though older will really capture your attention. The terrorists use not only men, but women to plant bombs and perform acts of terrorism. Yes this movie is from 1966! It really is interesting to watch both sides of the story. Please rent it you will not be sorry.

    Yes   |   No

     
    Read All 16 Reviews