The Night of the Hunter (1955) Reviews

The Night of the Hunter (1955)
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Adapted by James Agee from a novel by Davis Grubb, The Night of the Hunter represented legendary actor Charles Laughton's only film directing effort. Combining stark realism with Germanic expressionism, the movie is a brilliant good-and-evil parable, with "good" represented by a couple of farm kids and a pious old lady, and "evil" literally in the hands of a posturing psychopath. Imprisoned with thief Ben Harper (Peter Graves), phony preacher Harry Powell (Robert Mitchum) learns that Ben has hidden a huge sum of money somewhere near his home. Upon his release, the murderously misogynistic Powell insinuates himself into Ben's home, eventually marrying his widow Willa (Shelley Winters). Eventually all that stands between Powell and the money are Ben's son (Billy Chapin) and daughter (Sally Jane Bruce), who take refuge in a home for abandoned children presided over by the indomitable, scripture-quoting Rachel Cooper (Lillian Gish). The war of wills between Mitchum and Gish is the heart of the film's final third, a masterful blend of horror and lyricism. Laughton's tight, disciplined direction is superb -- and all the more impressive when one realizes that he intensely disliked all child actors. The music by Walter Schumann and the cinematography of Stanley Cortez are every bit as brilliant as the contributions by Laughton and Agee. Overlooked on its first release, The Night of the Hunter is now regarded as a classic. ~ Hal Erickson, Rovi

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Starring:
Robert MitchumShelley Winters, (more)
Director(s):
Charles Laughton
Format(s):
DVD  |  Blu-ray
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Average Ratings

(42 member reviews)  


Member Reviews


Dorothy D.

I have seen Night of the Hunter several times over a period of years. It has breath-holding suspense, superb acting and numerous subtle photographic nuances easily missed the first time around. It remains on my list of best movies of all time

Yes   |   No


James S.

DVD Beaver critics named this the best Blu-Ray release of 2010. A classic brilliant restored and handsomely presented with great supplements. Laughton's film, so underappreciated in its day, has become a recognized masterpiece presenting the eternal struggle of good and evil through the eyes of children. The style of the film, which relies heavily of the techniques of German expressionism and film noir, takes a little getting used to but the rewards are many. The Criterion edition is far superior to the old MGM/UA version.

Yes   |   No


David M.

Surprisingly good, but James Agee's work always is. Stark black and white film. Lillian Gish's charisma comes through; no wonder she was a movie star for 40 years. It was also interesting to see where the LOVE and HATE tatoos on everyone's knuckles come from--Robert Mitchum's fists. The concept of a wolf in sheep's clothing--the devil in a pastor's guise--could be relearnt today.

Yes   |   No


Elizabeth K.

Gorgeous B&W photography with dramatic lighting, much of it nighttime. Parable-like, mythic quality -- a dark, evil fairy tale. The style is very quaint with lots of foreshadowing. Great storytelling. Music and song and Bible passages play a prominent part. Acting occasionally strikingly wooden and staging of action is sometimes like a puppet-show. (Group of people enter screen right, cross the picture, exit screen left as a block, etc.; Villain chasing the children up the basement steps with both arms extended like Frankensteins monster) Villain is a sociopathic murderer who marries women for money. This story is the origin of the LOVE/HATE tattoo on the knuckles that is now a common prison tattoo. Nature shots, especially nighttime sequences of the children in a skiff on the river, are mesmerizing with live animal close-ups in the foreground. Beautifully crafted tale!

Yes   |   No


Jerry H.

JERRY H. Prior to watching the film I googled; "Germanic expressionism". I'm glad I did. This was definitely a work of art. Symbolism is everywhere from the sets to the characters being portrayed as caricatures. There were many darkly silhouetted scenes that were very striking. I enjoyed the extremely different film watching experience.

Yes   |   No


Thomas W.

I don't think the suspense aspects of this film hold up, and I'm guessing that's why some people don't like it. NotH isn't Double Indemnity, it's more of an "art film" in disguise. Nearly an unbroken series of striking scenes and images, it's one of a kind.

Yes   |   No


Jim M.

Pretty good for so old !

Yes   |   No


Robert B.

Took me way back to memories of the croaky riverside, Nanny's musty cellar , hokey religious nostrums , childhood nightmares and the village simpleton and his pious wife. Sure it's expressionist , ' arty ' and all, but exasperating. Would be better as a silent film made in about 1921 - scornful laughter less likely ?

Yes   |   No


Jason F.

The movie dragged on. There were at least 2 spots where the story would have more naturaly ended but instead it just wandered on down the river. It was like the first half of the film was one story, and then the second half was a sequel that was only based on the first half, instead of a fluid continuation of it. And the end scene sort of neglects the charcter dramas that seemed to be imprtant in the first half of the film. We are given charcters and their relationshps that end up not being important to the plot at all like the old man on the boat. Nothing fulfiling happens with the money the children kept, that was anothr waste of time. No lesson is learned in the time with the woman in the end. Another waste of time. These were all missed opportnities by the writer. It was just bad story writing. I don't recommend this movie for any reason. I can see why it was a flop in 1955. This is not how you write a story or a character's personal developmnt or conflct & resolution.

Yes   |   No


Gary H.

Don't waste your time! Makes you appreciate what a genius that Hitchcock was in his era. Too bad he didn't direct htis one. A bore. Overacting. Not believable in any way.

Yes   |   No


 
 
 

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    Member Reviews
     
    Dorothy D.

    I have seen Night of the Hunter several times over a period of years. It has breath-holding suspense, superb acting and numerous subtle photographic nuances easily missed the first time around. It remains on my list of best movies of all time

    Yes   |   No

     
    James S.

    DVD Beaver critics named this the best Blu-Ray release of 2010. A classic brilliant restored and handsomely presented with great supplements. Laughton's film, so underappreciated in its day, has become a recognized masterpiece presenting the eternal struggle of good and evil through the eyes of children. The style of the film, which relies heavily of the techniques of German expressionism and film noir, takes a little getting used to but the rewards are many. The Criterion edition is far superior to the old MGM/UA version.

    Yes   |   No

     
    David M.

    Surprisingly good, but James Agee's work always is. Stark black and white film. Lillian Gish's charisma comes through; no wonder she was a movie star for 40 years. It was also interesting to see where the LOVE and HATE tatoos on everyone's knuckles come from--Robert Mitchum's fists. The concept of a wolf in sheep's clothing--the devil in a pastor's guise--could be relearnt today.

    Yes   |   No

     
    Read All 42 Reviews