The Night Porter (1974) Reviews

The Night Porter (1974)
Member Rating:  
Max (Dirk Bogarde) is a discreet, unassuming night porter working in a posh hotel in Vienna in 1957, tending to the guests' needs, from cold water to a bed-warming gigolo. Then Lucia (Charlotte Rampling) arrives at the hotel, on the arm of her husband, an American composer, and Max's past comes flooding back to him. It turns out Max was an S.S. officer at a Nazi concentration camp where Lucia was a beautiful young prisoner. She became, in effect, Max's sexual slave. Now, years later, their reunion shatters both of their lives. Lucia stays in Vienna after her husband travels on, in order to see Max, and they find themselves caught up in a renewal of their former sadomasochistic relationship. Max has an upcoming show trial for his war crimes. His former S.S. comrades have been carefully destroying documents and "filing away" witnesses to clear all their names, and, while Max tries to keep Lucia's existence a secret from them, they eventually find out about her. They consider her a threat, and they urge Max to turn her over to them. He quits his job, and he and Lucia hide out in his apartment, while his former friends keep watch. Liliana Cavani (Ripley's Game) co-wrote and directed this controversial film, Il Portiere di Notte, which she reportedly based partly on her own interviews with a Holocaust survivor. ~ Josh Ralske, Rovi

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Starring:
Dirk BogardeCharlotte Rampling, (more)
Director(s):
Liliana Cavani
Theatrical MPAA Rating:
R
Format(s):
DVD
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Average Ratings

(6 member reviews)  


Member Reviews


Jeff H.

An interesting look at the relationship between victim and victimizer. The movie starts well, but the last half of the movie was poorly conceived. There was too little material about the earlier death camp period to explain the depth of the relationship and why it jump started in the present. Despite this, it's a dark, thought provoking film with excellent acting. A drive through the night city that ends lost in the dark countryside.

Yes   |   No


Lynn B.

Not a movie for everyone. Some scenes of Nazi brutality were so psychologically horrifying they made me feel a bit sick. Charlotte Rampling gives a hauntingly memorable performance as the sexually-dominated concentration camp survivor, and how this early trauma impacts her entire life. But the film breaks down in the second half. It loses any credibility as a plausible story. What starts as a compelling film, although quite grim, becomes simply absurd.

Yes   |   No


Brian P.

Some say the movie is slow. Some say the movie uses shock value. The Salome dance scene in itself is enough to warrant a look.

Yes   |   No


Doris M.

Superb, but definitely X-rated!

Yes   |   No


BEVERLY H.

This movie is definitely a slow-moving, but interesting drama. It lingers quite a bit on the most trivial scenes set in "present day" 1957 Austria. I found myself fast-forwarding quite a bit since the music would play and the camera would remain on someone walking down the street for a long time before finally getting to the interaction of the characters. It is too bad that this movie didn't explore more of the repressive Nazi era for those who are not familiar with the horror, tragedy and barbarism of that time.

Yes   |   No


Robert D.

This film is not worth a review since it dwells on a nightmarish story..I had seen it in the early eightees and foregot about the film...I wish I hadn't..can't imagine stars of note such as Bogarde and Rampling lending themselves to this abomination of a story...

Yes   |   No


 
 
 

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    Member Reviews
     
    Jeff H.

    An interesting look at the relationship between victim and victimizer. The movie starts well, but the last half of the movie was poorly conceived. There was too little material about the earlier death camp period to explain the depth of the relationship and why it jump started in the present. Despite this, it's a dark, thought provoking film with excellent acting. A drive through the night city that ends lost in the dark countryside.

    Yes   |   No

     
    Lynn B.

    Not a movie for everyone. Some scenes of Nazi brutality were so psychologically horrifying they made me feel a bit sick. Charlotte Rampling gives a hauntingly memorable performance as the sexually-dominated concentration camp survivor, and how this early trauma impacts her entire life. But the film breaks down in the second half. It loses any credibility as a plausible story. What starts as a compelling film, although quite grim, becomes simply absurd.

    Yes   |   No

     
    Brian P.

    Some say the movie is slow. Some say the movie uses shock value. The Salome dance scene in itself is enough to warrant a look.

    Yes   |   No

     
    Read All 6 Reviews