Demonia (1988)

Demonia (1988)
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Italian cult favorite Lucio Fulci (Zombi 2) directed this atmospheric return to the Gothic themes which had brought him such success in the early '80s, and reminds the viewer of a pair of those early works in the opening scenes. Beginning with the horrifying torture, crucifixion, and flaming deaths of a group of nuns beneath a convent in 1486 Sicily (reminiscent of the opening murder of the warlock in L'Aldila), the film then flashes forward to modern-day Toronto, where Liza (Meg Register) has visions of their deaths at a séance (as in the opening of Paura nella Citta dei Morti-Viventi). Naturally, Liza soon finds herself in Sicily, along with archaeologist Professor Paul Evans (Brett Halsey) and his colleague, Porter (Al Cliver). Nosing around the convent, she breaks open the crypt, unleashing the nuns' expectedly bloody occult vengeance. People are impaled on spikes, a woman (Carla Cassola) has her eyes ripped out by her pet cats, a mean butcher (Lino Salemme) has a meathook driven through his neck and his tongue nailed to a board, and so on. Things reach a predictable frenzy with an angry mob, a nun with no face, demonic possession, and a man ripped completely in two. There's also a bizarre back story about the nuns seducing local youths and murdering them at the moment of orgasm to obtain their blood for Satanic rituals. None of it makes much sense, and most fans of the director seeking a return to form found Demonia a pale imitation of his notorious Gothics, particularly coming so soon after Michele Soavi's similar -- and more successful -- La Chiesa. ~ Robert Firsching, Rovi

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Director(s):
Lucio Fulci
Format(s):
DVD
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Synopsis of Demonia

Italian cult favorite Lucio Fulci (Zombi 2) directed this atmospheric return to the Gothic themes which had brought him such success in the early '80s, and reminds the viewer of a pair of those early works in the opening scenes. Beginning with the horrifying torture, crucifixion, and flaming deaths of a group of nuns beneath a convent in 1486 Sicily (reminiscent of the opening murder of the warlock in L'Aldila), the film then flashes forward to modern-day Toronto, where Liza (Meg Register) has visions of their deaths at a séance (as in the opening of Paura nella Citta dei Morti-Viventi). Naturally, Liza soon finds herself in Sicily, along with archaeologist Professor Paul Evans (Brett Halsey) and his colleague, Porter (Al Cliver). Nosing around the convent, she breaks open the crypt, unleashing the nuns' expectedly bloody occult vengeance. People are impaled on spikes, a woman (Carla Cassola) has her eyes ripped out by her pet cats, a mean butcher (Lino Salemme) has a meathook driven through his neck and his tongue nailed to a board, and so on. Things reach a predictable frenzy with an angry mob, a nun with no face, demonic possession, and a man ripped completely in two. There's also a bizarre back story about the nuns seducing local youths and murdering them at the moment of orgasm to obtain their blood for Satanic rituals. None of it makes much sense, and most fans of the director seeking a return to form found Demonia a pale imitation of his notorious Gothics, particularly coming so soon after Michele Soavi's similar -- and more successful -- La Chiesa. ~ Robert Firsching, Rovi

Theatrical Feature Running Time:
90 mins

Complete Cast of Demonia


Director(s):
Lucio Fulci
Writer(s):
Lucio FulciPiero Regnoli
Categories:
Horror
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    Steven J.

    Obviously you've already seen Fulci's best films and I'm guessing your either considering this film because you're in search of gore or you're a diehard Fulci fan if you're the latter this probably won't come as a surprise to you that Demonia is not a masterpiece. what it is 90 minutes of classic but not perfect Fulci style and a pretty good score. It's filmed with a glossy dream-like glow which does glitter up the dry scrip since the actors didn't do so. Brett Haulsy and the female lead aren't that great either. As for the ever present gore this is no exception. Although it's no Giannetto De Rossi that's still no excuse for the poor quality of the FX. Obviously this film was rushed as was all of Fulci's latter work. I still enjoy the gore since A) you expect the poor quality and B) i already know how it was done. So you can either watch it with you friends and have a few laughs or just be happy it's a Fulci film. R.I.P Lucio Fulci

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