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Kansas City (1996)

Kansas City (1996)
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The jazz world of 1930s Kansas City serves as the backdrop for an offbeat story of kidnapping, political corruption, and organized crime in director Robert Altman's loving but unsentimental look at his childhood hometown. The film's intricate story is triggered by petty thief Johnny O'Hara (Dermot Mulroney), who aims for a big score by trying to rob notorious crime boss Seldom Seen (Harry Belafonte), only to end up Seen's captive. In fear for her husband's life, Johnny's wife Blondie (Jennifer Jason Leigh) decides to take action. Following an eccentric personal logic, she takes as a hostage the wife of a prominent local politician, in hopes of getting the woman's husband to help; unfortunately, he is on the road with an upcoming presidential campaign, putting a major hitch in Blondie's plans. The film moves freely among its idiosyncratic characters in an overt attempt to mimic the improvisational structure of 1930s jazz. Indeed, many of the film's most important sequences take place in Seldom Seen's club, with contemporary jazz greats imitating the period's master musicians and Harry Belafonte shining as the magnetic, menacing Seen. The central narrative never achieves the seemingly effortless integration of Altman's greatest works, but those who share Altman's obvious passion for the period and its music will find much to admire. ~ Judd Blaise, Rovi

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Starring:
Jennifer Jason LeighMiranda Richardson, (more)
Director(s):
Robert Altman
Theatrical MPAA Rating:
R
Format(s):
DVD
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Synopsis of Kansas City

The jazz world of 1930s Kansas City serves as the backdrop for an offbeat story of kidnapping, political corruption, and organized crime in director Robert Altman's loving but unsentimental look at his childhood hometown. The film's intricate story is triggered by petty thief Johnny O'Hara (Dermot Mulroney), who aims for a big score by trying to rob notorious crime boss Seldom Seen (Harry Belafonte), only to end up Seen's captive. In fear for her husband's life, Johnny's wife Blondie (Jennifer Jason Leigh) decides to take action. Following an eccentric personal logic, she takes as a hostage the wife of a prominent local politician, in hopes of getting the woman's husband to help; unfortunately, he is on the road with an upcoming presidential campaign, putting a major hitch in Blondie's plans. The film moves freely among its idiosyncratic characters in an overt attempt to mimic the improvisational structure of 1930s jazz. Indeed, many of the film's most important sequences take place in Seldom Seen's club, with contemporary jazz greats imitating the period's master musicians and Harry Belafonte shining as the magnetic, menacing Seen. The central narrative never achieves the seemingly effortless integration of Altman's greatest works, but those who share Altman's obvious passion for the period and its music will find much to admire. ~ Judd Blaise, Rovi

Theatrical Feature Running Time:
116 mins

Complete Cast of Kansas City


Director(s):
Robert Altman
Writer(s):
Frank BarhydtRobert Altman
Producer(s):
Robert Altman
Theatrical MPAA Rating:
R(Profanity, Mild Violence, Substance Abuse)
Kansas City Awards:
  • 1996 - Los Angeles Film Critics Association - Best Music Score
  • 1996 - New York Film Critics Circle - Best Supporting Actor
Warning:  This product is intended for mature audiences only. It may contain violence, sexual content, drug abuse and/or strong language. You must be 17 or older to purchase it. By ordering this item you are certifying that you are at least 17 years of age.

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    Jonathan L.

    See this for the music. The formulaic plot and script will prove a snooze for most. However locals, especially the older set, may enjoy the movie's references to actual events and characters like the Union Station massacre and the Pendergast machine. The scenes from the Hey Hey Club by contemporary artists playing period songs (with their own improvisations) are the real reason to endure this otherwise lackluster movie. The saxophone duel between the Coleman Hawkins and Charlie Parker characters may alone be worth the price of admission.

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