Make Way for Tomorrow (1937)

Make Way for Tomorrow (1937)
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While not a box-office success, this drama, directed by Leo McCarey, developed a potent reputation among film critics and movie buffs for its sensitive and perceptive treatment of the problems of the elderly. When McCarey won the Oscar for Best Director the same year for The Awful Truth, he remarked that the Academy gave him the award for the wrong movie. Barkley and Lucy Cooper (Victor Moore and Beulah Bondi) are a couple in their late 60s who have fallen on hard times and have been given the bad news that the bank is foreclosing on their house. Barkley and Lucy turn to their five children for help, but none are willing or able to do much for them; their son George (Thomas Mitchell) says that Lucy can stay with him and his wife Anita (Fay Bainter), while Nellie (Minna Gombell) and her husband Harvey (Porter Hall) can take in Barkley, but neither couple have the space or the means to house them both. Living with their children and their new families proves stressful for everyone involved, and Lucy decides to take up residence in a home for older women. She and Barkley realize that this will probably mean a permanent separation for the two of them, and they try to enjoy one last outing together before they part. Remarkably, Beulah Bondi was only 46 years old when this film was made, making her less then ten years older than several of her on-screen children; make-up wizard Wally Westmore used his bag of tricks to age her the appropriate two decades for the role. ~ Mark Deming, Rovi

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Starring:
Victor MooreBeulah Bondi, (more)
Director(s):
Leo McCarey
Format(s):
DVD
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Synopsis of Make Way for Tomorrow

While not a box-office success, this drama, directed by Leo McCarey, developed a potent reputation among film critics and movie buffs for its sensitive and perceptive treatment of the problems of the elderly. When McCarey won the Oscar for Best Director the same year for The Awful Truth, he remarked that the Academy gave him the award for the wrong movie. Barkley and Lucy Cooper (Victor Moore and Beulah Bondi) are a couple in their late 60s who have fallen on hard times and have been given the bad news that the bank is foreclosing on their house. Barkley and Lucy turn to their five children for help, but none are willing or able to do much for them; their son George (Thomas Mitchell) says that Lucy can stay with him and his wife Anita (Fay Bainter), while Nellie (Minna Gombell) and her husband Harvey (Porter Hall) can take in Barkley, but neither couple have the space or the means to house them both. Living with their children and their new families proves stressful for everyone involved, and Lucy decides to take up residence in a home for older women. She and Barkley realize that this will probably mean a permanent separation for the two of them, and they try to enjoy one last outing together before they part. Remarkably, Beulah Bondi was only 46 years old when this film was made, making her less then ten years older than several of her on-screen children; make-up wizard Wally Westmore used his bag of tricks to age her the appropriate two decades for the role. ~ Mark Deming, Rovi

Theatrical Feature Running Time:
92 mins

Complete Cast of Make Way for Tomorrow


Director(s):
Leo McCarey
Writer(s):
Vina Delmar
Producer(s):
Leo McCareyAdolph Zukor
Categories:
Drama
Make Way for Tomorrow Awards:
  • 1937 - New York Times - 10 Best Films
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    Kurt S.

    This is a sweet, old-time charmer of a movie that still resonates. Older parents still struggle with the loneliness and disappointment that comes when their children are too busy to pay much attention to them any longer. While the Depression-era setting and mores depicted in the film may seem dated, its theme remains pertinent today.

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    Georgianna M.

    This is a must-see film that sensitively and tellingly describes the pain of the elderly people in this story (Beulah Bondi, Victor Moore) and the despair younger generation (Thomas Michell, Fay Bainter) who are trying desparately to care for them without breaking them up. (This, mind you, was before the days of the day of Social Security, making things even more difficult). Poignant, but with the ddep, heartfelt feeling that distinguished Leo McCarey as a filkmaker. (Said Jean Renoir, during his sojourn in Hollywood: "McCarey understands people better than anyone else in this town.")

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    Joseph C.

    What a wonderful movie.

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