DCSIMG
 
 

Cabaret (1972)

Cabaret (1972)
Play Trailer and Clips
Member Rating:  
Originally a 1966 Broadway musical, this groundbreaking Bob Fosse musical was in turn based on Christopher Isherwood's Goodbye to Berlin, previously dramatized for stage and screen as I Am a Camera with Julie Harris as Sally Bowles. Fosse uses the decadent and vulgar cabaret as a mirror image of German society sliding toward the Nazis, and this intertwining of entertainment with social history marked a new step forward for the movie musical. Michael York plays a British writer who comes to Berlin in the early 1930s in hopes of becoming a teacher. He makes the acquaintance of flamboyant American entertainer Sally Bowles, played by Liza Minnelli. Sally works at the Kit Kat Klub, a George Grosz-like Berlin cabaret where each night the smirking, androgynous Master of Ceremonies (Joel Grey) introduces a jazz-driven "girlie show" to his debauched audience. Virtually all the film's musical numbers are staged within the confines of the Kit Kat Klub, and each song comments on the plot and on Germany's "progression" from hedonism to Hitlerism. Most of the Broadway score by John Kander and Fred Ebb was retained, with the welcome addition of "The Money Song." Although it lost Best Picture to The Godfather, Cabaret won eight Oscars, including awards to Minnelli, Grey, and Fosse. A heavily expurgated 88-minute version of Cabaret has been prepared for commercial TV presentations, regarded by many as dramatically inferior to the full cut. ~ Hal Erickson, Rovi

 Read More


Starring:
Liza MinnelliMichael York, (more)
Director(s):
Bob Fosse
Theatrical MPAA Rating:
PG
Format(s):
DVD  |  Blu-ray
View All Versions to rent and buy
 
 
 
 

Synopsis of Cabaret

Originally a 1966 Broadway musical, this groundbreaking Bob Fosse musical was in turn based on Christopher Isherwood's Goodbye to Berlin, previously dramatized for stage and screen as I Am a Camera with Julie Harris as Sally Bowles. Fosse uses the decadent and vulgar cabaret as a mirror image of German society sliding toward the Nazis, and this intertwining of entertainment with social history marked a new step forward for the movie musical. Michael York plays a British writer who comes to Berlin in the early 1930s in hopes of becoming a teacher. He makes the acquaintance of flamboyant American entertainer Sally Bowles, played by Liza Minnelli. Sally works at the Kit Kat Klub, a George Grosz-like Berlin cabaret where each night the smirking, androgynous Master of Ceremonies (Joel Grey) introduces a jazz-driven "girlie show" to his debauched audience. Virtually all the film's musical numbers are staged within the confines of the Kit Kat Klub, and each song comments on the plot and on Germany's "progression" from hedonism to Hitlerism. Most of the Broadway score by John Kander and Fred Ebb was retained, with the welcome addition of "The Money Song." Although it lost Best Picture to The Godfather, Cabaret won eight Oscars, including awards to Minnelli, Grey, and Fosse. A heavily expurgated 88-minute version of Cabaret has been prepared for commercial TV presentations, regarded by many as dramatically inferior to the full cut. ~ Hal Erickson, Rovi

Theatrical Feature Running Time:
124 mins

Complete Cast of Cabaret


Director(s):
Bob Fosse
Writer(s):
Jay Presson AllenHugh Wheeler
Producer(s):
Cy Feuer
Theatrical MPAA Rating:
PG(Drug Content, Sexual Situations, Substance Abuse, Profanity, Adult Situations, Adult Humor)
Categories:
Music & Performing Arts
Cabaret Awards:
  • 1972 - British Academy of Film and Television Arts - Best Soundtrack
  • 1972 - British Academy of Film and Television Arts - Best Soundtrack
  • 1972 - British Academy of Film and Television Arts - Best Soundtrack
  • 1972 - British Academy of Film and Television Arts - Most Promising Newcomer
  • 1972 - British Academy of Film and Television Arts - Best Cinematography
  • 1972 - British Academy of Film and Television Arts - Best Picture
  • 1972 - British Academy of Film and Television Arts - Best Actress
  • 1972 - British Academy of Film and Television Arts - Best Director
  • 1972 - British Academy of Film and Television Arts - Best Art Direction
  • 1972 - Golden Globe - Best Picture - Musical or Comedy
  • 1972 - Hollywood Foreign Press Association - Best Performance by an Actor in a Supporting Role in a Motion Picture
  • 1972 - Hollywood Foreign Press Association - Best Picture - Musical or Comedy
  • 1972 - Hollywood Foreign Press Association - Best Performance by an Actress in a Motion Picture - Musical or Comedy
  • 1994 - Library of Congress - U.S. National Film Registry
  • 1972 - National Board of Review - Best Supporting Actor
  • 1972 - National Board of Review - Best Picture
  • 1972 - National Board of Review - Best Director
  • 1972 - National Board of Review - Best Supporting Actress
Looking for special editions of Cabaret?
See All Versions
Subtitles:
Check All Versions
Closed Captioning:
Check All Versions
 
 
 
 

BY MAIL

 
Buy New  $21.99
 

IN-STORE

 

ON DEMAND

Blockbuster Instant Video

Watch thousands of movies instantly on your TV, tablet, mobile phone or computer with no monthly subscription. You pay only for what you watch.
 

What's Your Take?

Add to FavoritesIn Favorites  |  Share:     Email to a friendShare on FacebookShare on Twitter
    YOUR REVIEW
    WRITE A REVIEW
     
    1000 
     
    Member Reviews
     
    Michael M.

    I had the good fortune to see this film when it first came out. I'll never forget the audience reaction when the end credits came on. There was a moment of stunned silence, followed by a standing ovation. People couldn't believe what they had just seen. It's interesting that people still have that same reaction after 34 years. I played it for a group of 20 somethings recently and they were blown away. Many weren't aware that it even existed. Great acting, great direction, wonderful music and flawless choreography make this a film deserving to be called a classic. Pay attention to "Wilcommen": the opening sequence. Once the introductions have been made and the dancing starts there are only three cuts within the number. "Maybe This Time" has two. At a time when musical numbers have been reduced to a series of cuts and jumps, a film that allows the music and the dancing to speak for itself is one not to be missed.

    Yes   |   No

     
    Robert D.

    I've seen this film in the past but never appreciated it until now..the acting is far out the best from each of the main characters especially Lisa Minneli and the master of ceremonies for the Kit Kat Club..Michael York plays it straight but convincing as do the rest of the cast..it certainly captured the aura of the early thirties in Berlin with the oncoming of the Third Reich..Bob Fosse's dance routines were sparkling considering some of the people he had to work with..4 stars!!

    Yes   |   No

     
    Wayne F.

    Liza Minelli and Joel Grey are (or were) incredibly talented performers. Liza has a chemistry that defires understand whether on stage or in a movie. Bob Fosse brought these two talents to the peak performances of their careets. (And, yes I have seen both of them several times live on Broadway) See this move, you will never regret it.

    Yes   |   No

     
    Read All 20 Reviews