Un Coeur en Hiver (1992)

Un Coeur en Hiver (1992)
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Daniel Auteuil and Emmanuelle Béart from Manon of the Spring (1986) co-star once again in Un Coeur en Hiver, playing characters whose distance from each others' lives belies the enormous emotional impact they have on one another. Directed by Claude Sautet, whose 40-year career included the Oscar-winning César et Rosalie (1972), Un Coeur en Hiver is a remarkably restrained film with torrents of feeling just under the surface. Auteuil plays Stephane, partner in an exclusive violin brokerage. His older business partner Maxime (Andre Dussolier) has a lovely new violinist girlfriend, Camille (Béart), who stirs Stephane but is ultimately rejected by him, sending all three characters into a spin that destroys their delicate, symbiotic balance. Hovering over this story is an unusual musical motif that is key to the characters' inner motivations. Violins play, and play on camera, all through the film, but the nature of Stephane's craft, Camille's career, and Maxime's profits is that the music can always be refined, tinkered with, changed with a twist of this or a bit of that. That's precisely how they conduct their relationships and lives -- with a fragile sense of security and no idea when to stop manipulating life for effect. ~ Tom Keogh, Rovi

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Starring:
Daniel AuteuilEmmanuelle Béart, (more)
Director(s):
Claude Sautet
Format(s):
DVD
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Synopsis of Un Coeur en Hiver

Daniel Auteuil and Emmanuelle Béart from Manon of the Spring (1986) co-star once again in Un Coeur en Hiver, playing characters whose distance from each others' lives belies the enormous emotional impact they have on one another. Directed by Claude Sautet, whose 40-year career included the Oscar-winning César et Rosalie (1972), Un Coeur en Hiver is a remarkably restrained film with torrents of feeling just under the surface. Auteuil plays Stephane, partner in an exclusive violin brokerage. His older business partner Maxime (Andre Dussolier) has a lovely new violinist girlfriend, Camille (Béart), who stirs Stephane but is ultimately rejected by him, sending all three characters into a spin that destroys their delicate, symbiotic balance. Hovering over this story is an unusual musical motif that is key to the characters' inner motivations. Violins play, and play on camera, all through the film, but the nature of Stephane's craft, Camille's career, and Maxime's profits is that the music can always be refined, tinkered with, changed with a twist of this or a bit of that. That's precisely how they conduct their relationships and lives -- with a fragile sense of security and no idea when to stop manipulating life for effect. ~ Tom Keogh, Rovi

Theatrical Feature Running Time:
101 mins

Complete Cast of Un Coeur en Hiver


Director(s):
Claude Sautet
Writer(s):
Claude SautetJacques FieschiJerome Tonnerre
Producer(s):
Philippe CarcassonneJean-Louis Livi
Categories:
Romance
Un Coeur en Hiver Awards:
  • 1993 - European Film Academy - Best Actor
  • 1992 - French Academy of Cinema - Best Supporting Actor
  • 1992 - French Academy of Cinema - Best Director
  • 1992 - Venice International Film Festival - Silver Lion
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    Member Reviews
     
    Joanne N.

    Being a classical musician, I especially enjoyed the level of chamber music played , as well as the acting. I thought that the performers Daniel Auteuil and Emmanuelle Beart were superb for their psychological truth. Auteuil played the man who is unable to give emotionally of himself, even when offered the love of a beautiful, talented woman. I can't praise this movie enough.

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    Timothy F.

    daniel Auteuil's portrayal of an emotionless craftsman who pursues the beeautiful Camille (emmanuelle Beart) then rebuffs her when she falls in love with him--is reminiscent to me of Peter Seller's portrayal of Chance the Gardener in BEING THERE--without the humour. While some might find this movie dull or slow going, it does well portray the dilemma of many in modern techo-society--inaccessible feelings.

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    Pierre M.

    Great movie, depicting so well the ambivalence of art and emotions, or, in this case, the lack of thereof. Great music, acting, and storyline.

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