Sansho the Bailiff (1954)

Sansho the Bailiff (1954)
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Kenji Mizoguchi's masterpiece opens in 11th-century Japan with an aristocratic woman Tamaki traveling through the woods with her daughter Anju, son Zushio, and maid. Through flashbacks, we learn that her husband, Taira no Masauji, was a local governor who was exiled because of his honesty and integrity. Before he leaves, he gives his son an amulet of Kannon, the goddess of mercy, and tells him, "Without mercy, man is like a beast. Men are created equal, everyone is entitled to happiness." On their journey to reunite with their husband/father, they are ambushed by kidnappers, who sell the mother as a prostitute and the two children as slaves to the corrupt Sansho (Eitaro Shindo). As adults, Zushio (Yoshiaki Hanayagi) and his sister Anju (Kyoko Kagawa) continue to toil as servants. Anju learns that her mother has become a courtesan on remote Sado-island. Though Zushio became Sansho's most trusted and most brutal aide; he manages to escape at Anju's behest. He finds sanctuary at a local monastery while Anju, looking to avoid the inevitably violent retribution, drowns herself in a lake. Seeking justice, Zushio petitions the Prime Minister, a desperate act that usually results in imprisonment or death. Yet his pleas prove more successful than he ever dreamed. When he finally has the power to thwart evil Sansho and reunify his family, he learns that he is tragically too late. ~ Jonathan Crow, Rovi

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Starring:
Kinuyo TanakaKyoko Kagawa, (more)
Director(s):
Kenji Mizoguchi
Format(s):
DVD
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Synopsis of Sansho the Bailiff

Kenji Mizoguchi's masterpiece opens in 11th-century Japan with an aristocratic woman Tamaki traveling through the woods with her daughter Anju, son Zushio, and maid. Through flashbacks, we learn that her husband, Taira no Masauji, was a local governor who was exiled because of his honesty and integrity. Before he leaves, he gives his son an amulet of Kannon, the goddess of mercy, and tells him, "Without mercy, man is like a beast. Men are created equal, everyone is entitled to happiness." On their journey to reunite with their husband/father, they are ambushed by kidnappers, who sell the mother as a prostitute and the two children as slaves to the corrupt Sansho (Eitaro Shindo). As adults, Zushio (Yoshiaki Hanayagi) and his sister Anju (Kyoko Kagawa) continue to toil as servants. Anju learns that her mother has become a courtesan on remote Sado-island. Though Zushio became Sansho's most trusted and most brutal aide; he manages to escape at Anju's behest. He finds sanctuary at a local monastery while Anju, looking to avoid the inevitably violent retribution, drowns herself in a lake. Seeking justice, Zushio petitions the Prime Minister, a desperate act that usually results in imprisonment or death. Yet his pleas prove more successful than he ever dreamed. When he finally has the power to thwart evil Sansho and reunify his family, he learns that he is tragically too late. ~ Jonathan Crow, Rovi

Theatrical Feature Running Time:
124 mins

Complete Cast of Sansho the Bailiff


Director(s):
Kenji Mizoguchi
Writer(s):
Yoshikata YodaFuji Yahiro
Producer(s):
Masaichi Nagata
Sansho the Bailiff Awards:
  • 1954 - Venice International Film Festival - Silver Lion
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    Shannon B.

    The film is rather oddly titled, considering that Sansho himself has very little screen time and Zushio is the central character, but appropriately titled nevertheless, considering that Sansho embodies the perverting power of a ruthless nature. Zushio's struggle NOT to become Sansho, his struggle to salvage what's left of his independence and integrity, is the continuity in this Japanese historical epic. Although the movie is somewhat slow-paced at times (particularly at the beginning) and the societal culture of the characters seems remote to western audiences, the themes of the story are timeless and ubiquitous. Tamaki's pining for her lost children even years after their separation is heart-breaking; Anju's stoic self-sacrifice is universally tragic; and Zushio's battle to recover his soul is admirable even at its tremendous cost.

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    J'ADORE LE CINEMA O.

    First, this is not a martial arts film, it is based on a legendary story that dates from the time before Japan kept its literature in written form. It was passed on through storytellers. The commentary is helpful but very distracting on the first viewing. It does point out the literary license taken by the filmmaker with respect to chosing versions of the story to depict. This is a story reflecting how a person can hold noble ideals through personal adversity and ultimately, when given the opportunity, apply those ideals to the betterment of his fellow man. The moral was to treat others with kindness and to act in their benefit even if doing so was detrimental to oneself. Noble ideals that we do not see enough of in today's society, particularly by our leaders in politics and industry. A second message is don't wait to express your feelings to those you love, time may deprive you of the chance to do so.

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    Mark J.

    total putdown to slavery, feudalism and militarism. this historical dramatization of feudal japan could have been made of any country, as all have gone through feudalism, some are still there. what becomes of humans when they have total power over other humans. story was done on the characters personal level and the communities level. very dark history for any contributors to feudal control over humans. some large and small corporations and their stooges would still like this sort of government.

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