The Roaring Twenties (1939)

The Roaring Twenties (1939)
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Based upon an idea by Broadway columnist Mark Hellinger, The Roaring Twenties opens during World War I as doughboys Eddie Bartlett (James Cagney), Lloyd Hart (Jeffrey Lynn), and George Hally (Humphrey Bogart) discuss what they will do when the war is over. Bartlett wants to go back to repairing cabs, and Hart yearns to be a lawyer, but it becomes clear that Hally has less reputable plans in mind for himself. Come the end of the war, things are not as easy for veterans like Bartlett as they should be. He is unable to get his old job back and ends up driving a cab for little money. One night he is asked to deliver a package (which turns out to be whiskey) to an address that turns out to be a speakeasy. This starts him on a life of crime, as he gets deeper involved as a bootlegger. Things are not made easy by a rival bootlegger -- who turns out to be Hally. The two join forces and prosper. Hart shares in their prosperity, as Bartlett engages him to take care of his legal matters. Unfortunately, Hart is also interested in Jean Sherman (Priscilla Lane), a young woman that Bartlett has had an eye on for quite some time. He loses her to Hart at about the same time that his criminal empire crumbles, and he is reduced to driving a cab again while Hally continues to prosper with his ruthless ways. Eventually, Hart -- now a crusading prosecutor -- runs afoul of Hally, who tells Jean that he will kill him if he doesn't change his ways. Jean begs Bartlett to intercede with Hally; because he still is carrying a torch for her, Bartlett agrees -- but by doing so, he may have signed his own death warrant. ~ Craig Butler, Rovi

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Starring:
James CagneyHumphrey Bogart, (more)
Director(s):
Raoul Walsh
Theatrical MPAA Rating:
NR
Format(s):
DVD
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Synopsis of The Roaring Twenties

Based upon an idea by Broadway columnist Mark Hellinger, The Roaring Twenties opens during World War I as doughboys Eddie Bartlett (James Cagney), Lloyd Hart (Jeffrey Lynn), and George Hally (Humphrey Bogart) discuss what they will do when the war is over. Bartlett wants to go back to repairing cabs, and Hart yearns to be a lawyer, but it becomes clear that Hally has less reputable plans in mind for himself. Come the end of the war, things are not as easy for veterans like Bartlett as they should be. He is unable to get his old job back and ends up driving a cab for little money. One night he is asked to deliver a package (which turns out to be whiskey) to an address that turns out to be a speakeasy. This starts him on a life of crime, as he gets deeper involved as a bootlegger. Things are not made easy by a rival bootlegger -- who turns out to be Hally. The two join forces and prosper. Hart shares in their prosperity, as Bartlett engages him to take care of his legal matters. Unfortunately, Hart is also interested in Jean Sherman (Priscilla Lane), a young woman that Bartlett has had an eye on for quite some time. He loses her to Hart at about the same time that his criminal empire crumbles, and he is reduced to driving a cab again while Hally continues to prosper with his ruthless ways. Eventually, Hart -- now a crusading prosecutor -- runs afoul of Hally, who tells Jean that he will kill him if he doesn't change his ways. Jean begs Bartlett to intercede with Hally; because he still is carrying a torch for her, Bartlett agrees -- but by doing so, he may have signed his own death warrant. ~ Craig Butler, Rovi

Theatrical Feature Running Time:
106 mins

Complete Cast of The Roaring Twenties


Director(s):
Raoul Walsh
Writer(s):
Robert RossenJerry WaldRichard Macaulay
Theatrical MPAA Rating:
NR(Mild Violence, Questionable for Children)
The Roaring Twenties Awards:
  • 1939 - National Board of Review - Best Acting
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    Mary H.

    Bogie stole the show in this look back at how America once was. What I found interesting was the deep respect for women-- GOOD women, LADIES who were pure. Cagney even held the coat for the gangster's moll. What kids today have seen their fathers hold their mothers' coat while she put it on? My 17 yr old didn't want to quit watching this. I thought it would be too slow for him, but "It had Good acting" he said.

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    Greg W.

    Warner Bros. was known for making gritter, hard-nosed films than the other major studios - with accusations of immorality for romanticizing organized crime - and this is an excellent example. Directed by Raoul Walsh (he'd later direct Cagney in their best film, "White Heat"), this pretty much solidifies the genre's formula, and may seem cliche, but it still holds up because of three reasons: Walsh, Cagney, and Bogart. Walsh does an excellent job, creating a terse, dark drama that never gets too slack. Cagney is in top-form with tremendous screen presence. Bogart's breakthrough in "Maltese Falcon" was two years away, but he's already hit his stride as an actor. Seeing the two biggest stars of Hollywood's Golden Age go nose-to-nose is great in itself - they've got terrific chemistry. If you love Cagney, you have to see this one.

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    George J.

    great movie .

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