Historias del Subdesarrollo (1968)

Historias del Subdesarrollo (1968)
Member Rating:  
The first Cuban film made after Fidel Castro's revolution to receive widespread distribution (and acclaim) in the United States, Memories of Underdevelopment is not exactly a broad endorsement of Castro's new Cuba. Its protagonist, Sergio (Sergio Correri) is depicted in the opening scenes as happy to see off his wife and parents and friends; they are fleeing Cuba in the wake of the Bay of Pigs invasion for America. He is skeptical of the ability of the Revolution to make a real change in Cuban society, observing that it is only the latest passion for an ever-changing society. Although Sergio's family furniture business has been taken over by the state, he still has a modest income as the landlord of several apartment buildings. He spends much of his time observing, either by walking the streets of Havana or using his telescope to spy on others from the safety of his apartment balcony. His passion is women, and in Elena (Daisy Granados), he finds an especially attractive object of desire. Her lack of experience excites him, but it almost proves his undoing when he decides to move on to other prey and Elena's family accuses him at a public trial of seducing and raping her. Acquitted and temporarily chastened, Sergio muses on what a new crisis, the discovery of Soviet missile installations by the United States, will mean for his island and his future. Filmmaker Tomás Gutiérrez Alea's next widely distributed film, 1994's Strawberry and Chocolate, was even more critical of the Castro government, focusing on its persecution of homosexuals. ~ Tom Wiener, Rovi

 Read More


Starring:
Sergio CorrieriDaisy Granados, (more)
Director(s):
Tomás Gutiérrez Alea
 
 
 
 

Synopsis of Historias del Subdesarrollo

The first Cuban film made after Fidel Castro's revolution to receive widespread distribution (and acclaim) in the United States, Memories of Underdevelopment is not exactly a broad endorsement of Castro's new Cuba. Its protagonist, Sergio (Sergio Correri) is depicted in the opening scenes as happy to see off his wife and parents and friends; they are fleeing Cuba in the wake of the Bay of Pigs invasion for America. He is skeptical of the ability of the Revolution to make a real change in Cuban society, observing that it is only the latest passion for an ever-changing society. Although Sergio's family furniture business has been taken over by the state, he still has a modest income as the landlord of several apartment buildings. He spends much of his time observing, either by walking the streets of Havana or using his telescope to spy on others from the safety of his apartment balcony. His passion is women, and in Elena (Daisy Granados), he finds an especially attractive object of desire. Her lack of experience excites him, but it almost proves his undoing when he decides to move on to other prey and Elena's family accuses him at a public trial of seducing and raping her. Acquitted and temporarily chastened, Sergio muses on what a new crisis, the discovery of Soviet missile installations by the United States, will mean for his island and his future. Filmmaker Tomás Gutiérrez Alea's next widely distributed film, 1994's Strawberry and Chocolate, was even more critical of the Castro government, focusing on its persecution of homosexuals. ~ Tom Wiener, Rovi

Complete Cast of Historias del Subdesarrollo


Director(s):
Tomás Gutiérrez Alea
Writer(s):
Tomás Gutiérrez Alea
Looking for special editions of Historias del Subdesarrollo?
See All Versions
Subtitles:
Check All Versions
Closed Captioning:
Check All Versions
 
 
 
 

BY MAIL

We're sorry, this title is not available to rent or buy by mail.
 

IN-STORE

 

What's Your Take?

Add to FavoritesIn Favorites  |  Share:     Email to a friendShare on FacebookShare on Twitter
    YOUR REVIEW
    WRITE A REVIEW
     
    1000 
     
    Member Reviews
     
    Keith G.

    A complex film both politically and psychologically. A bourgeois man decides to stay in post-revolutionary Cuba, even when his wife and family leave. He is detached and alienated from the revolution around him, from women, but also from his own shallow old existence. Lots of brave and experimental techniques (still photos, super long lens shots, handheld, intercutting news footage), and almost all of it works towards making a fascinating whole. My only problem is that the experience is almost totally intellectual, I had very little emotional response for most of the film, although the end, with the Cuban Missile Crisis looming has some real power.

    Yes   |   No

     
    Read All 1 Reviews