Mayerling (1936)

Synopsis of Mayerling

Based on Idol's End, a novel by Claude Anet, the French Mayerling is based on the tragic real-life story of Hapsburg Crown Prince Rudolph and his mistress, Baroness Marie Vetsera. Since the details of Rudolph and Marie's lives and deaths are clouded in controversy, much of the film is romanticized speculation-with emphasis on the romance. The film establishes Rudolph (Charles Boyer) as a rebellious "man of the people", at eternal odds with his despotic father, Emperor Franz Joseph (Jean Dax). To keep him quiet and out of trouble, Rudolph is forced into an arranged marriage, and surrounded by Hapsburg informers and spies. In an effort to escape this oppressive atmosphere, a disguised Rudolph dashes off to a fair, where he meets the beauteous 17-year-old Marie (Danielle Darieux). Thus begins an illicit romance, which the lovers try vainly to keep secret from the prying eyes of the Emperor's flunkeys. One of Rudolph's enemies arranges for Marie to be taken away to Trieste for a "rest cure." Rudolph sinks into a drunken depression, snapping out of it only when Marie returns. They attempt to legitimize their love through marriage, but the Catholic hierarchy will not approve of Rudolph's divorcing his wife. Desperately, the lovers flee to Rudolph's hunting lodge in Mayerling. Here they spend an exquisite last night together, then formulate a death pact. The following day, Marie and Rudolph are found lying side by side-united in death. Transforming this grim story into a tender, moving romance was quite an undertaking, but the end result was worth it: Mayerling was a huge international hit, and the winner of several industry awards, including the New York film critics' "best foreign picture" prize. Mayerling was remade in surprisingly cold and distant fashion in 1968, with Omar Sharif and Catherine Deneuve. ~ Hal Erickson, Rovi

Theatrical Feature Running Time:

93 mins

Director(s):

Anatole Litvak

Writer(s):

Irma Von Cube, Joseph Kessel

Producer(s):

Seymour Nebenzal

Categories:

Drama, Foreign

• 1937 - National Board of Review - Best Acting
• 1937 - New York Film Critics Circle - Best Foreign Film

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