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Fat Girl (2001)

Fat Girl (2001)
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Director Catherine Breillat, who courted international controversy with her film Romance, once again pushed the envelope with this disturbing (if somewhat less explicit) look at adolescent sexuality. Anaïs (Anaïs Reboux) is a 12-year-old girl with a weight problem and a downbeat disposition growing up in a family which offers her little in the way of understanding and affection. Anaïs has a typically adolescent love/hate relationship with her slimmer and prettier 15-year-old sister, Elena (Roxane Mesquida); she's at once fascinated by her sister (and the boys who follow her around), and hates her for the love and attention she receives from others. While the family spends the summer at the beach, Elena attracts the attentions of Fernando (Libero de Rienzo), a college student from Italy who makes no secret of his attraction to Elena's budding sexuality. Anaïs, on the other hand, is forced to make do with a sad game in which she pretends that a ladder and a diving board at a neighborhood swimming pool are two suitors vying for her affections. Anaïs shares a room with Elena, and finds herself a fascinated, if troubled, witness as Fernando uses both charm and deceit to rob her sister of her virginity, while Elena is too naïve to see through the lies Fernando is spinning -- and enjoys having Anaïs as an audience for her steadily advancing sex play with Fernando. Anaïs is more aware than her older sister of Fernando's insincerity, but she finds Elena isn't eager to believe her. ~ Mark Deming, Rovi

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Starring:
Anaïs RebouxRoxane Mesquida, (more)
Director(s):
Catherine Breillat
Format(s):
DVD  |  Blu-ray
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Synopsis of Fat Girl

Director Catherine Breillat, who courted international controversy with her film Romance, once again pushed the envelope with this disturbing (if somewhat less explicit) look at adolescent sexuality. Anaïs (Anaïs Reboux) is a 12-year-old girl with a weight problem and a downbeat disposition growing up in a family which offers her little in the way of understanding and affection. Anaïs has a typically adolescent love/hate relationship with her slimmer and prettier 15-year-old sister, Elena (Roxane Mesquida); she's at once fascinated by her sister (and the boys who follow her around), and hates her for the love and attention she receives from others. While the family spends the summer at the beach, Elena attracts the attentions of Fernando (Libero de Rienzo), a college student from Italy who makes no secret of his attraction to Elena's budding sexuality. Anaïs, on the other hand, is forced to make do with a sad game in which she pretends that a ladder and a diving board at a neighborhood swimming pool are two suitors vying for her affections. Anaïs shares a room with Elena, and finds herself a fascinated, if troubled, witness as Fernando uses both charm and deceit to rob her sister of her virginity, while Elena is too naïve to see through the lies Fernando is spinning -- and enjoys having Anaïs as an audience for her steadily advancing sex play with Fernando. Anaïs is more aware than her older sister of Fernando's insincerity, but she finds Elena isn't eager to believe her. ~ Mark Deming, Rovi

Theatrical Feature Running Time:
86 mins

Complete Cast of Fat Girl


Director(s):
Catherine Breillat
Writer(s):
Catherine Breillat
Producer(s):
Jean-Francois Lepetit
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    Member Reviews
     
    Jeremy D.

    One of the better French films of young 'love'. For realism, it doesn't get much better. Most people will be shocked and agitated by the ending, but I found it to be metaphoric and a slap-in-the-face. It was more original than your predictable coming-of-age, how-did-I-change ending.

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    Mark A.

    A disturbing film about adolescent and pre-adolescent sexuality. Provokes a certain amount of self-examination. In which of the characters do you see yourself? The worldy wise younger sister who does not fit the ideal of desirablitiy, yet longs to be desired? The older sister, longing for experience and yet fearing it? The Lothario eager to seduce the virgin and taking full advantage of her ambivalence? The father who cares more about his business than the health of his family? Or the mother who is so cold, she would rather punish her daughter for having sex than for helping her deal with the devestating aftermath? The ending caught me by surprise, as others have mentioned. I kept waiting for Anais to wake up. That she didn't made the movie much less easy to dismiss.

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    Thomas J.

    For creating a disturbing movie, the incongruity of affection and dialogue were effective. The sisters at times were affectionate at times and other times used each other with callous neglect. The dialogue at times was way above the sensibilities of adolescents. All and all it deeply hit me. It was able to express and give deep feeling to the viewer of icy indifference of not being connected to your family and the distorted feelings we can get when we perceive someone showing interest in us.

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