How to Marry a Millionaire (1953)

How to Marry a Millionaire (1953)
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A remake of 1933's The Greeks Had a Word for Them, as well as a retread of 20th Century-Fox's favorite plotline, How to Marry a Millionaire was the first Hollywood comedy to be lensed in Cinemascope. Lauren Bacall, Betty Grable and Marilyn Monroe play three models of modest means who rent an expensive Manhattan penthouse apartment and pose as women of wealth. It's all part of a scheme hatched by Bacall to snare rich husbands for herself and her roommates. The near-sighted Monroe is wooed by an international playboy, but ends up settling for the tax-dodging fugitive (David Wayne) who owns the girls' apartment. The knuckle-headed Grable goes off on an illicit weekend in the mountains with a grouchy married executive (Fred Clark), but falls instead for a comparatively poor--but very handsome--forest ranger (Rory Calhoun). And Bacall very nearly lands an aging millionaire (William Powell), but has a sudden attack of conscience and opts instead for the supposedly poverty-stricken chap (Cameron Mitchell) who has been pursuing her since reel one. It turns out that she has actually landed one of the richest men in New York--and upon learning this, our three luscious heroines faint dead away. Before the opening credits roll in How to Marry a Millionaire, we are treated to a "live" orchestral rendition of Alfred Newman's "Street Scene" overture, conducted by Newman himself. In addition to its being the first wide-screen comedy, Millionaire was also the first-ever presentation of the weekly NBC series Saturday Night at the Movies, premiering on the small screen on September 23, 1961. ~ Hal Erickson, Rovi

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Starring:
Betty GrableMarilyn Monroe, (more)
Director(s):
Jean Negulesco
Format(s):
DVD
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Synopsis of How to Marry a Millionaire

A remake of 1933's The Greeks Had a Word for Them, as well as a retread of 20th Century-Fox's favorite plotline, How to Marry a Millionaire was the first Hollywood comedy to be lensed in Cinemascope. Lauren Bacall, Betty Grable and Marilyn Monroe play three models of modest means who rent an expensive Manhattan penthouse apartment and pose as women of wealth. It's all part of a scheme hatched by Bacall to snare rich husbands for herself and her roommates. The near-sighted Monroe is wooed by an international playboy, but ends up settling for the tax-dodging fugitive (David Wayne) who owns the girls' apartment. The knuckle-headed Grable goes off on an illicit weekend in the mountains with a grouchy married executive (Fred Clark), but falls instead for a comparatively poor--but very handsome--forest ranger (Rory Calhoun). And Bacall very nearly lands an aging millionaire (William Powell), but has a sudden attack of conscience and opts instead for the supposedly poverty-stricken chap (Cameron Mitchell) who has been pursuing her since reel one. It turns out that she has actually landed one of the richest men in New York--and upon learning this, our three luscious heroines faint dead away. Before the opening credits roll in How to Marry a Millionaire, we are treated to a "live" orchestral rendition of Alfred Newman's "Street Scene" overture, conducted by Newman himself. In addition to its being the first wide-screen comedy, Millionaire was also the first-ever presentation of the weekly NBC series Saturday Night at the Movies, premiering on the small screen on September 23, 1961. ~ Hal Erickson, Rovi

Theatrical Feature Running Time:
105 mins

Complete Cast of How to Marry a Millionaire


Director(s):
Jean Negulesco
Writer(s):
Nunnally Johnson
Producer(s):
Nunnally Johnson
Categories:
RomanceComedy
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    Fabienne F.

    I was told that this movie was horrible (by my mom...she didn't like the ending) but I thought it was very funny and had a terrific ending. Marilyn Monroe was my favorite character; I did not know that she was so amusing.

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    Karl M.

    For years I've watched this movie - badly conveyed to the small screen - on AMC and TCM. I always longed to see it in it's original format, but given it was done in Cinemascope it wasnt' to be. Then, finally someone create Letterbox format and finally viewers can see what they've been missing for 50 year! What a pleasure! If you've seen it before, give it a fresh look - the interaction between the 3 characters is finally visible and adds a level of humor previously missing. The restoration was amazing and Marilyn Monroe's comic efforts in this picture were well done - I never before understood all the fuss over her acting before I saw this movie. And if you know much about hollywood of this period - watch for the tongue-in-cheek jibe at Bogart by Bacall! Funny, funny, funny stuff!!

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    Ann C.

    Before "My Life with Marilyn," I'd never watched her movies. Now I'm making up for lost time. How the camera loved her! Although I have a large screen TV, it wasn't quite big enough to do justice to some scenes, particularly the orchestra opener. A light-hearted, fun-filled production. But the scenes of Maine looked more like the Rocky Mountains!

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