High and Low (1962)

High and Low (1962)
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Based on King's Ransom, an "87th Precinct" novel by Ed McBain (aka Evan Hunter), High and Low stars Toshiro Mifune as Gondo, a wealthy industrialist. Gondo is contacted by a gang of kidnappers, who inform him that they've kidnapped his son. The crooks demand a huge ransom for the boy's return -- an amount so huge that it will utterly bankrupt Gondo. As the harried businessman prepares to pay the ransom, he discovers that his son is safe at home: the kidnappers have accidentally snatched the son of his chauffeur. Does Gondo drop his payoff plans, or does he do the honorable thing and rescue his employee's son? This dilemma is but one aspect of the multilayered character study from the unbeatable team of star Toshiro Mifune and filmmaker Akira Kurosawa, who directs this superb film with his usual depth and impeccable eye for detail and character. As a man forced to make impossible decisions, Mifune gives a nuanced, perceptive and psychologically convincing performance. While not one of Kurosawa's master works, High and Low, with its grim reality and moral ambiguity stands as a superb example of film noir at its best. High and Low was originally released in Japan as Tengoku To-Jigoku. ~ Hal Erickson, Rovi

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Starring:
Toshiro MifuneKyoko Kagawa, (more)
Director(s):
Akira Kurosawa
Format(s):
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Synopsis of High and Low

Based on King's Ransom, an "87th Precinct" novel by Ed McBain (aka Evan Hunter), High and Low stars Toshiro Mifune as Gondo, a wealthy industrialist. Gondo is contacted by a gang of kidnappers, who inform him that they've kidnapped his son. The crooks demand a huge ransom for the boy's return -- an amount so huge that it will utterly bankrupt Gondo. As the harried businessman prepares to pay the ransom, he discovers that his son is safe at home: the kidnappers have accidentally snatched the son of his chauffeur. Does Gondo drop his payoff plans, or does he do the honorable thing and rescue his employee's son? This dilemma is but one aspect of the multilayered character study from the unbeatable team of star Toshiro Mifune and filmmaker Akira Kurosawa, who directs this superb film with his usual depth and impeccable eye for detail and character. As a man forced to make impossible decisions, Mifune gives a nuanced, perceptive and psychologically convincing performance. While not one of Kurosawa's master works, High and Low, with its grim reality and moral ambiguity stands as a superb example of film noir at its best. High and Low was originally released in Japan as Tengoku To-Jigoku. ~ Hal Erickson, Rovi

Theatrical Feature Running Time:
143 mins

Complete Cast of High and Low


Director(s):
Akira Kurosawa
Writer(s):
Hideo OguniAkira KurosawaRyuzo Kikushima
Producer(s):
Tomoyuki TanakaRyuzo Kikushima
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    Allen T.

    The synopsis of this movie leads you to believe its main thrust is a moral conflict dealing with the rich and poor, but that is all cleared up about 40 minutes into the film and the other 100 minutes are devoted to a dry police procedural where Mifune's previously central character only has about five minutes of screentime! A overrated, pedestrian effort by the famed Kurosawa.

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    LEANNE D.

    This is an interesting policier that begins with a moral question, rather than a comedy or tragedy set within a procedural. With the two giants of Toho films, Nakadai and Mifune, as well as the godfather of Toho, Takeshi Shimura, the scenes are always lively and well-played. The final scene is powerful, and the filmography is crisp. The bullet-train ransom ratchets up the tension, while the methodical police work that follows it calms and soothes the viewer in classical Aristotelian catharsis. Very enjoyable.

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    Robert and Linda P.

    It is bit long but the drama unfolds and clues are revealed. I thought it was well done for its time, yes the acting could have been better but the story helps out. This movie gets by without having to count on violence and sexx. What a concept.

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