Gilda (1946)

Gilda (1946)
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When wealthy Ballin Mundson (George Macready) rescues down at his heels gambler Johnny Farrell (Glenn Ford) and invites him to the Buenos Aires casino he owns, both men get more than they wagered on. Farrell convinces Mundson to hire him as casino manager, but is shocked when Mundson introduces his new bride, and Farrell's old flame, Gilda (Rita Hayworth).Though Farrell is unwavering in his loyalty to his employer, and he and Gilda treat each other with contempt, Mundson realizes that the torch never died for either of the former lovers. Ordered to guard Gilda, Farrell tries to convince himself that he's protecting Mundson's interests, but Gilda sees through his self-deception. Meanwhile, Mundson reveals to Farrell that his primary business is control of an international tungsten cartel that he plans to use to further his fascist ends. With the police closing in on the cartel, Mundson fakes his death, apparently leaving Gilda and Farrell free to marry. They do so: Gilda for love, but Farrell to punish her for being unfaithful to Mundson. When Mundson returns to kill them, it is he who dies, thereby freeing the lovers to apologize to each other and return to the U.S. Charles Vidor's Gilda is a voyeuristic film noir treat that engages the viewer in a complex web of sado-masochistic triangles. When, for example, Gilda performs her signature number, "Put the Blame on Mame," she is not simply enraging both Mundson and Farrell with her open sexuality, she is also crying out in pain for the love she is being denied. ~ Steve Press, Rovi

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Starring:
Rita HayworthGlenn Ford, (more)
Director(s):
Charles Vidor
Theatrical MPAA Rating:
NR
Format(s):
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Synopsis of Gilda

When wealthy Ballin Mundson (George Macready) rescues down at his heels gambler Johnny Farrell (Glenn Ford) and invites him to the Buenos Aires casino he owns, both men get more than they wagered on. Farrell convinces Mundson to hire him as casino manager, but is shocked when Mundson introduces his new bride, and Farrell's old flame, Gilda (Rita Hayworth).Though Farrell is unwavering in his loyalty to his employer, and he and Gilda treat each other with contempt, Mundson realizes that the torch never died for either of the former lovers. Ordered to guard Gilda, Farrell tries to convince himself that he's protecting Mundson's interests, but Gilda sees through his self-deception. Meanwhile, Mundson reveals to Farrell that his primary business is control of an international tungsten cartel that he plans to use to further his fascist ends. With the police closing in on the cartel, Mundson fakes his death, apparently leaving Gilda and Farrell free to marry. They do so: Gilda for love, but Farrell to punish her for being unfaithful to Mundson. When Mundson returns to kill them, it is he who dies, thereby freeing the lovers to apologize to each other and return to the U.S. Charles Vidor's Gilda is a voyeuristic film noir treat that engages the viewer in a complex web of sado-masochistic triangles. When, for example, Gilda performs her signature number, "Put the Blame on Mame," she is not simply enraging both Mundson and Farrell with her open sexuality, she is also crying out in pain for the love she is being denied. ~ Steve Press, Rovi

Theatrical Feature Running Time:
110 mins

Complete Cast of Gilda


Director(s):
Charles Vidor
Writer(s):
Joe EisingerMarion Parsonnet
Producer(s):
Virginia van Upp
Theatrical MPAA Rating:
NR(Questionable for Children, Violence, Adult Situations)
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    Ann C.

    Rita Hayworth is astounding! Even in black and white, she smolders on the screen. I found it mesmerizing to watch her, even though the movie as a story was just so-so for me.

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    Nancy O.

    Marilyn Who? Rita Hayworth is just plain wonderful, and her "Blame it all Mame, Boys" and "Amodomio" Performances make Monroe's "Tropical Heatwave" seem tame. This is a terrific film.

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    William D.

    I love noir, especially the witty dialogue. This movie had its highlights but wasn't exactly impressive. The whole movie is about the psychotic behaviour of two people who hate each other so much they fall in love. The plot with potential, involving a tungsten monopoly stolen from the Germans, is never really developed and neither is the casino angle. Instead it's just hours of bitterness. Try "Double Indemnity" instead - a much better piece!

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