Fat City (1972)

Fat City (1972)
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With a screenplay adapted by Leonard Gardner from his own novel, John Huston's drama examines the meager hopes and resigned dreams of small-time boxers. In limbo between retirement and his youthful prime, alcoholic farm laborer Tully (Stacy Keach) shacks up with fellow outcast Oma (Susan Tyrrell) and keeps trying to make a boxing comeback, but his personal demons repeatedly overpower his ambitions. Meanwhile, fellow Stockton, CA resident and budding fighter Ernie (Jeff Bridges) takes Tully's advice to join trainer Ruben (Nicholas Colasanto)'s gym and make something of himself. Learning the tough lesson that winning is not as easy as it sounds, Ernie is still determined to get what he can out of boxing and, unlike Tully, not let disappointments get the best of him. Shot on location in Stockton by Conrad Hall, the film maintains a realistic, slice-of-life view of Tully's and Ernie's struggles, eschewing theatrical boxing victories for psychological and social details. As Huston avowed at the Cannes Film Festival that Fat City's virtue was its "modesty," critics agreed that he had made his best film in two decades; and Tyrrell was nominated for a Best Supporting Actress Oscar. However, despite the praise and the efforts of producer Ray Stark, Fat City failed at the box office. Even so, its unromanticized depiction of modest wins and personal losses revealed that old Hollywood pro Huston had adapted well to the late '60s-early '70s New Hollywood grit, and the film revived his artistic standing. ~ Lucia Bozzola, Rovi

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Starring:
Stacy KeachJeff Bridges, (more)
Director(s):
John Huston
Theatrical MPAA Rating:
PG
Format(s):
DVD  | Digital SD
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Synopsis of Fat City

With a screenplay adapted by Leonard Gardner from his own novel, John Huston's drama examines the meager hopes and resigned dreams of small-time boxers. In limbo between retirement and his youthful prime, alcoholic farm laborer Tully (Stacy Keach) shacks up with fellow outcast Oma (Susan Tyrrell) and keeps trying to make a boxing comeback, but his personal demons repeatedly overpower his ambitions. Meanwhile, fellow Stockton, CA resident and budding fighter Ernie (Jeff Bridges) takes Tully's advice to join trainer Ruben (Nicholas Colasanto)'s gym and make something of himself. Learning the tough lesson that winning is not as easy as it sounds, Ernie is still determined to get what he can out of boxing and, unlike Tully, not let disappointments get the best of him. Shot on location in Stockton by Conrad Hall, the film maintains a realistic, slice-of-life view of Tully's and Ernie's struggles, eschewing theatrical boxing victories for psychological and social details. As Huston avowed at the Cannes Film Festival that Fat City's virtue was its "modesty," critics agreed that he had made his best film in two decades; and Tyrrell was nominated for a Best Supporting Actress Oscar. However, despite the praise and the efforts of producer Ray Stark, Fat City failed at the box office. Even so, its unromanticized depiction of modest wins and personal losses revealed that old Hollywood pro Huston had adapted well to the late '60s-early '70s New Hollywood grit, and the film revived his artistic standing. ~ Lucia Bozzola, Rovi

Theatrical Feature Running Time:
96 mins

Complete Cast of Fat City


Director(s):
John Huston
Writer(s):
Leonard Gardner
Producer(s):
Raymond Stark
Theatrical MPAA Rating:
PG(Adult Language, Questionable for Children, Substance Abuse, Mild Violence, Adult Situations)
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    Member Reviews
     
    Joseph R.

    Unlike my fellow reviewer, I enjoyed this movie. I didn't view it as a "boxing" movie, but rather a character study. Tully is an alcoholic and a bit of a bum, could have been somebody but lost the battle to the bottle. Ernie is a young kid with talent but caught up in the circumstances of life - pregnant girl, probably doomed to a life in Stockton, CA. Not a feel good movie by any means but well done with believable characters.

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    Pete R.

    This movie does the rarest of all things -- it creates characters who act and seem like real people. The closing sequence in the restaurant is one of the highlights of movie history.

    Yes   |   No

     
    Neal H.

    It's a too-slow paced character study of has beens filmed in a near documentary fashion by Conrad Hall. Still, a rather pedestrian effort, although not too fare removed from stronger films of the period, for instance, Scarcrow with Picino and Hackman or even Midnight Cowboy. Huston, Hall, Bridges and Keats cannot rise above a just ok job.

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