The Cow (1971)

The Cow (1971)
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This highly symbolic Iranian drama (shot in black-and-white) revolves around the most important figure in a remote rural village. That figure is the village's sole cow, owned by Mashdi Hassan (Ezat Entezani). The beginning of the film makes clear just how vital the cow is to the life of the village and how much Mashdi and his neighbors cherish it. When the cow is threatened and then killed by members of a nearby clan, Mashdi becomes so distraught that he is gradually transformed into a cow himself. One highlight of this film is the glimpse it offers into a style of rural life which has gone unchanged for thousands of years. ~ Clarke Fountain, Rovi

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Director(s):
Dariush Mehrjui
Format(s):
DVD
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Synopsis of The Cow

This highly symbolic Iranian drama (shot in black-and-white) revolves around the most important figure in a remote rural village. That figure is the village's sole cow, owned by Mashdi Hassan (Ezat Entezani). The beginning of the film makes clear just how vital the cow is to the life of the village and how much Mashdi and his neighbors cherish it. When the cow is threatened and then killed by members of a nearby clan, Mashdi becomes so distraught that he is gradually transformed into a cow himself. One highlight of this film is the glimpse it offers into a style of rural life which has gone unchanged for thousands of years. ~ Clarke Fountain, Rovi

Theatrical Feature Running Time:
100 mins

Complete Cast of The Cow


Director(s):
Dariush Mehrjui
Producer(s):
Dariush Mehrjui
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    Lisa A.

    By far, one of the more odd films I've seen in quite awhile. One reviewer states that the owner, Hassan, of the cow is bonded to his cow as people are to their dogs -- to my knowledge, I've never met anyone who becomes insane over a dog, so this was a bit much for me to comprehend. To me the film is sluggish & depressing & Hassan is a pitiful being indeed to abandon reason over a bovine's death when he has a family & village who obviously care for his welfare deeply.

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    Robert R.

    One of the worlds great movies, equal to any American or European study of madness. Coupled with a neo-realist style and documentary data, the desolate lives of dusty deserted villagers coming to grips with a colleagues grief that drives him to eating hay...stubble and all. Really, it's a very good movie, don't pass it up.

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